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6932 film reviews available in total starting from 04/09/2002. Last updated on 23/04/2024. 756 film reviews inserted in the last 12 months.
LATEST
Le quattro volte by Michelangelo Frammartino
26/05/2010
An unusual Italian film, winner of the Europa Cinemas Label in the Directors' Fortnight at the Cannes Film Festival 2010
Queen and Country by John Boorman
21/05/2014
CANNES 2014: The legendary writer-director of Leo the Last unveiled at the Cannes Fortnight a film based on his two years of military service, and every second is a sheer delight
Queen of Hearts by May el-Toukhy
30/01/2019
Trine Dyrholm stuns in May el-Toukhy’s bold, pleasantly titillating drama, screening at both Rotterdam and Sundance
Queen of Montreuil by Sólveig Anspach
01/09/2012
Tears and laughter take turns in this new film by the Icelandic director, a delicate and surreal story on the process of mourning and the potential for rebirth with the help of others
The Queen of the Lizards by Burnin' Percebes (Juan González & Nando Martínez)
15/11/2019
Can romantic comedy, science-fiction, transgression and an absurd sense of humour come together smoothly and harmoniously in a film shot in Super 8? The Burnin’ Percebes duo proves that they can
The Queen's Corgi by Ben Stassen, Vincent Kesteloot
11/03/2019
Ben Stassen and nWave confirm their position as the ‘Belgian Pixar’ with an entertaining 3D film that speaks to young and old generations alike
The Queen by Stephen Frears
10/10/2006
A film about "an extraordinary woman who heads an institution that is the subject of criticism and conjecture"
The Queen v Patrick O’Donnell by Tomás Seoighe
28/07/2021
Tomás Seoighe’s docu-drama is a gripping film blowing the lid off the story of Patrick O’Donnell, the Irish republican executed for the murder of James Carey in 1883
Queendom by Agniia Galdanova
29/03/2023
Agniia Galdanova's CPH:DOX prizewinner is an urgent, rich portrait of a Russian queer artist fighting prejudice and heavy-handed patriarchy
Queens by Yasmine Benkiran
09/09/2022
VENICE 2022: Yasmine Benkiran’s debut feature is a parable on female emancipation in Morocco transposed into a hard-hitting road-movie, replete with police tails
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