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7046 film reviews available in total starting from 04/09/2002. Last updated on 10/06/2024. 753 film reviews inserted in the last 12 months.
LATEST
Swing Ride by Chiara Bellosi
13/02/2022
BERLINALE 2022: Body shaming is the focus of this sensitive and knowingly restrained teen drama, which is a second work coming courtesy of Chiara Bellosi
Swoon by Måns Mårlind, Björn Stein
04/02/2019
Måns Mårlind and Björn Stein's latest film, closing the Göteborg Film Festival, provides the kind of razzle-dazzle rarely seen this side of Baz Luhrmann
Sworn Virgin by Laura Bispuri
12/02/2015
BERLIN 2015: Laura Bispuri tells the story of how a young woman becomes a man in order to escape from the destiny set in stone for women by the patriarchal archaisms of deepest Albania
Sympathy for the Devil by Guillaume de Fontenay
27/11/2019
Guillaume de Fontenay brilliantly recreates the siege of Sarajevo during the Bosnian war, telling the story of a war reporter played by Niels Schneider
Symphony of the Ursus Factory by Jasmina Wojcik
26/02/2019
Jaśmina Wójcik delivers an experimental, creative documentary commemorating Poland’s long-lost socialist, communal past by re-enacting a day at work in the defunct Ursus Factory
Synonyms by Nadav Lapid
15/02/2019
BERLIN 2019: Nadav Lapid offers an indescribable yet totally brilliant variation on the theme of "An Israeli in Paris"
A Syrian Love Story by Sean McAllister
12/06/2015
Sean McAllister's moving documentary won the Sheffield Doc/Fest Grand Jury Award on Wednesday and had its second world premiere in Bologna
System Crasher by Nora Fingscheidt
09/02/2019
BERLIN 2019: Nora Fingscheidt’s first feature, presented as one of four German-language films in competition at Berlin, sets the bar high and is powerful in terms of both form and content
System K by Renaud Barret
08/02/2019
BERLIN 2019: After Benda Bilili!, Renaud Barret signs a fascinating new documentary set in the heart of Kinsasha that follows the lives of outstanding artists and street performers
T2 Trainspotting by Danny Boyle
12/02/2017
BERLIN 2017: Danny Boyle picks up the loose ends left over at the end of his 20-year-old cult film, in a sequel that questions the notion of a new beginning
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