Reviews

6924 film reviews available in total starting from 04/09/2002. Last updated on 18/04/2024. 750 film reviews inserted in the last 12 months.

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Paradise: Hope by Ulrich Seidl
09/02/2013
Berlinale: The third part of the Paradise trilogy by Ulrich Seidl is presented, like the first two, at a major European festival  
Paradise Is Burning by Mika Gustafson
08/09/2023
VENICE 2023: Swedish director Mika Gustafson’s sophomore feature celebrates sisterhood in all its shapes and sizes  
Paradiset brinner
Paradise: Love by Ulrich Seidl
18/05/2012
Austrian film director Ulrich Seidl returns to the Cannes official competition with a story about sex tourism, five years after his radical film Import/Export  
The Paradise Suite by Joost van Ginkel
29/09/2015
Joost van Ginkel’s second feature, selected as the Dutch Oscar submission, gives us a critical and raw snapshot of modern-day Europe  
The Paradise Suite
Paradise War: The Story of Bruno Manser by Niklaus Hilber
30/09/2019
Niklaus Hilber’s biopic of environmental activist Bruno Manser is one of the most anticipated and expensive films in the history of Swiss cinema  
Bruno Manser - Die Stimme des Regenwaldes
Paradises of Diane by Carmen Jaquier, Jan Gassmann
18/02/2024
BERLINALE 2024: With courage and poetry, Carmen Jaquier and Jan Gassmann tackle the theme of motherhood, both its darker sides and the consequences of decisions which society struggles to accept  
Les Paradis de Diane
Paraíso by Sérgio Tréfaut
20/09/2021
Sérgio Tréfaut, the director of Rage, returns with a heartfelt, poetic tribute to seresteiros  
Paraíso
El Paraíso by Enrico Maria Artale
05/09/2023
VENICE 2023: Enrico Maria Artale’s new film is a personal look at a seriously flawed mother-son relationship  
El Paraíso
Parallel Mothers by Pedro Almodóvar
02/09/2021
VENICE 2021: Pedro Almodóvar combines telenovela with a serious take on his country’s unresolved past, proving that at this point, he can really do whatever he wants  
Madres paralelas
Parasol by Valéry Rosier
17/02/2016
Valery Rosier, who already made a splash with Sundays and Silence Radio, continues to forge ahead with a brand of cinema that refuses to side with documentary or fiction  
Parasol

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