Reviews

6943 film reviews available in total starting from 04/09/2002. Last updated on 30/04/2024. 754 film reviews inserted in the last 12 months.

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The Party's Over by Marie Garel-Weiss

28/02/2018

Clémence Boisnard and Zita Hanrot burst on to our screens in Marie Garel Weiss’ debut feature, an energetic and sincere film about friendship and drug addiction  

La Fête est finie

La Fête est finie

The Party by Sally Potter

14/02/2017

BERLIN 2017: Sally Potter's eighth feature is a crisp, engaging comedy of characters and relationships  

The Party

The Party

Pas de deux by Elie Aufseesser

31/01/2022

Elie Aufseesser’s first feature film explores the complex relationship binding together two brothers with very different temperaments and ambitions  

Pas de deux

Pas de deux

Pasolini by Abel Ferrara

04/09/2014

VENICE 2014: The New York director reconstructs the last days of the great Italian poet and filmmaker  

Pasolini

Pasolini

Passages by Ira Sachs

23/01/2023

Ira Sachs’ deceptively simple film is a thoughtful, generous and realistic look at how people change and stay the same  

Passages

Passages

Passed by Censor by Serhat Karaaslan

05/07/2019

It’s mystery-solving time in the first feature film by Turkish filmmaker Serhat Karaaslan  

Görülmüştür

Görülmüştür

The Passengers of the Night by Mikhaël Hers

13/02/2022

BERLINALE 2022: Mikhaël Hers further refines his airy, delicate and sensitive style with a magnificent existentialist film about a few years in the life of a small Parisian family in the 1980s  

Les Passagers de la nuit

Les Passagers de la nuit

Passing by Rebecca Hall

20/10/2021

Rebecca Hall adapts Nella Larsen’s classic text of the Harlem Renaissance, focusing on the practice of racial passing  

Passing

Passing

Passion by Maja Borg

28/04/2021

Maja Borg delivers a solemn yet, ironically enough, rather passionless account of self-discovery through queer BDSM rituals and Christianity  

Passió

Passió

Passion by Brian De Palma

07/09/2012

Brian De Palma's colourful film noir entices the audience into a world of dark games and manipulation  

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