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6938 film reviews available in total starting from 04/09/2002. Last updated on 26/04/2024. 756 film reviews inserted in the last 12 months.
LATEST
Jumping the Fence by Benito Zambrano
14/03/2024
Benito Zambrano presents an interesting dramatic thriller about the tragedy of immigration with the aim of reaching the general public
Good Guys Go To Heaven by Radu Potcoavă
Radu Potcoavă delivers a surreal romantic comedy offering a rushed reflection on the consequences of our choices and an overly sentimental ending
Race for Glory: Audi vs. Lancia by Stefano Mordini
13/03/2024
Stefano Mordini masters the technique required for the motor racing genre, but his protagonists lack depth of character compared to predecessor movies of this kind
Warm Film by Dragan Jovicevic
Dragan Jovićević takes us on a journey through the history of queer representation in Serbian and Yugoslav cinema in this eye-opening and amusing docu-fiction hybrid
How To Build A Truth Engine by Friedrich Moser
Friedrich Moser's documentary, executive-produced by George Clooney, examines various technological, social and neurological aspects in the age of disinformation
Unclickable by Babis Makridis
Babis Makridis adds another investigative documentary to the catalogue of internet-scam content, but does uncover new details and employs a somewhat different style to the rest of this subgenre
Mamífera by Liliana Torres
12/03/2024
Liliana Torres’ newest feature tackles forms of everyday duress that women face while confronted with the societal expectation to become a mother
Turtles by David Lambert
In his fourth feature film, David Lambert returns to comedies of remarriage, offering up a queer and Brussels-based alternative and asking: does love dissipate when we retire?
Maria Montessori by Léa Todorov
Léa Todorov sheds light upon the genesis of the Montessori approach in a bold and novelistic first feature film about disability, difference and feminism at the beginning of the 20th century
Skunk by Koen Mortier
In his fourth feature film based on real events, Koen Mortier paints an uncompromising and incredibly disturbing portrait of a young man torn apart by abuse
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