Uli Aselmann • Producer, die film gmbh
by Martin Blaney - German Films
- Uli Aselmann tells German Films Quarterly about the production outfit die film gmbh, which he created in 1997
“From the outset, I wanted to make films for the cinema,” recalls Uli Aselmann about setting up his Munich-based production company die film gmbh in 1997. However, with time, the company concentrated more on cinema films and 90-minute TV movies.”
Aselmann was realistic enough to acknowledge that companies of die film gmbh’s size “will not be getting commissioned to make series by the TV stations in the near future because they think that we don’t have the financial background to be able to cover the risk for a 10 million production. So, it made sense to concentrate.” However, he has been able to pursue his ambitions in the field of documentaries after becoming a major shareholder in the Munich- based production outfit Tangram International which specializes in documentaries for cinema and television.
Moreover, Aselmann has secured two footholds in other parts of Germany through the establishment of a.pictures film & tv.production.gmbh in Hamburg and cut.it film- und postproductions gmbh in Stuttgart.
“It was logical for me to have a company in Hamburg because that’s where I come from,” he explains. “Our feature films or TV films are often co-produced with the Hamburg firm. And the Stuttgart company is useful for maintaining a relationship with SWR and the region of Hessen.”
Over the years, there are certain filmmakers with whom Aselmann has built up a long-term working relationship. This has been the case with Ralf Huettner, with whom he is now developing a fourth installment of the popular comedy Cologne’s Finest, and this year saw the release of Promising the Moon, the third feature film he has produced with Hans Steinbichler.
At the same time, Aselmann points out that he is keen to give more attention to working with up-and-coming talents. A start was made this summer by serving as a co-producer for the young Munich outfit Kaissar Film on 3 Stunden by Boris Kunz, a graduation film from the University of Television & Film Munich.
Running four production companies would seem to leave one hardly any time for anything else, but Aselmann nevertheless manages to be german films quarterly active in Germany’s film political arena, lobbying for better conditions for film and TV producers.
“It cost a lot of time and energy when we were bringing the producer associations together under the roof of the German Producers Alliance,” he admits, but is full of élan for his current responsibility as the section head for cinema and deputy board chairman at the producers association. In addition, he has been a member of the presidium for the German Federal Film Board (FFA) since 2009.
“The Producers Alliance played a crucial role in helping to strengthen and further develop such instruments as the German Federal Film Fund (DFFF),” he notes. “We have reached a lot, but we still have some areas to work on such as the question of what kind of stories we want to tell and to shoot and how to meet the challenge with the big international blockbuster films in the German market.”
“We have to ensure that there are optimum production conditions in Germany in order to attract international productions to shoot here, but this should also benefit our own production companies,” Aselmann continues. “Conditions for shooting have improved in recent years because there has been a greater professionalization thanks to the international projects filming here. Germany is definitely an attractive place for film shoots, but there need to be additional incentives created to ensure that especially the big productions come here rather than go to Canada or somewhere else.”
Did you enjoy reading this article? Please subscribe to our newsletter to receive more stories like this directly in your inbox.