Cannes 2018 / Directors’ Fortnight (The article continues below - Commercial information) 28 articles available in total starting from 30/03/2018. Last article published on 22/05/2018. previous page: 1 [2] 3 next Review: AminCANNES 2018: Ever-faithful to his values of simplicity and truth, Philippe Faucon puts his name to a clear-cut film exploring the life of a Senegalese man living in France without his family 16/05/2018 | Cannes 2018 | Directors’ FortnightReview: Dear SonCANNES 2018: Mohamed Ben Attia continues to fine-tune the style he used in his debut film in the story of a Tunisian father whose distant and uncommunicative son suddenly vanishes 15/05/2018 | Cannes 2018 | Directors’ FortnightReview: ClimaxCANNES 2018: Gaspar Noé, at the peak of his skills in nightmarish immersion, offers us a film in which a dance troupe is taken hostage by a very bad trip 15/05/2018 | Cannes 2018 | Directors' FortnightReview: The World Is YoursCANNES 2018: Romain Gavras directs a hilarious film with a well-developed plot that leads to a gang of petty drug dealers pretending to be gangsters on the Costa Brava 13/05/2018 | Cannes 2018 | Directors' FortnightReview: The LoadCANNES 2018: Ognjen Glavonić's first fiction feature is a stark look at a war crime from the Kosovo War and its implications, with Leon Lučev giving an amazing performance in the main role 13/05/2018 | Cannes 2018 | Directors’ Fortnight Interview: Ognjen Glavonić • Director of The Load“Paths are made by walking”CANNES 2018: Serbian filmmaker Ognjen Glavonić tells us about how his first fiction feature, The Load, came into being 12/05/2018 | Cannes 2018 | Directors’ Fortnight Interview: Guillaume Nicloux • Director"What I’m interested in is research and experience"CANNES 2018: Guillaume Nicloux explains his film To The Ends Of The World, diving headlong into the jungle of deepest Indochina, as unveiled in the 50th Directors’ Fortnight 12/05/2018 | Cannes 2018 | Directors' FortnightReview: Los silenciosCANNES 2018: The second film by Beatriz Seigner (Bollywood Dream) is a contemporary refugee tale wrapped up in a ghost story 12/05/2018 | Cannes 2018 | Directors’ FortnightReview: Treat Me Like FireCANNES 2018: Marie Monge’s feature debut punchily portrays the toxic downward spiral that starts when a young woman falls head over heels for a gambling addict 11/05/2018 | Cannes 2018 | Directors’ FortnightReview: To The Ends of The WorldCANNES 2018: Guillaume Nicloux dives headlong into the Indochinese jungle of 1945 with a hypnotic war film, exploring the internal struggle between life and death 10/05/2018 | Cannes 2018 | Directors' Fortnight previous page: 1 [2] 3 next (The article continues below - Commercial information)