The Croisette is a venue at which Film Europe often enriches its portfolio. The company got in early this year, buying films before they were announced in the line-up (read the news), including some that did not end up premiering on the Croisette, such as Emir Kusturica’s On the Milky Road [+lee también:
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The company also continued its streak of picking up the Palme d’Or winner, as Ken Loach’s “retirement” film, I, Daniel Blake [+lee también:
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The new arrivals also include Julia Ducournau’s positively received debut feature, Raw [+lee también:
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ficha de la película] by Romanian filmmaker Cristi Puiu as well as another competition title, Staying Vertical [+lee también:
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ficha de la película] by Alain Guiraudie. Film Europe also managed to nab the festival darling, Palme d’Or favourite and winner of the FIPRESCI Award for Best Film in Competition, the German comedy-drama Toni Erdmann [+lee también:
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ficha de la película] by Maren Ade. “It is with great pleasure that we offer this film to our audience, both as a sign of our disagreement with the jury’s decision and as a film that masterfully bridges the gap between so-called arthouse films and their mainstream counterparts,” Hronec said.

Toni Erdmann will be screened at the upcoming Karlovy Vary International Film Festival in the Czech Republic and on Film Europe’s own festival platform, Be2Can 3, in Slovakia and the Czech Republic in October. While I, Daniel Blake is also slated for an October premiere in Slovakia, Loach’s supposed swansong will have an advance screening in June at the Slovakian festival Art Film Fest Košice, in Film Europe’s very own festival sidebar, Be2Can starter (read the news).