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BERLÍN 2017 Financiación / Francia

El CNC se multiplica por dieciséis en Berlín

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- En inglés: La institución del cine francés ha apoyado 16 largometrajes, coproducidos con 20 países, seleccionados en Berlín, entre los que hay cuatro en competición

El CNC se multiplica por dieciséis en Berlín
Colo by Teresa Villaverde

Este artículo está disponible en inglés.

Now more than ever, the CNC is asserting its role as a facilitator that supports, and even stimulates, the highly dynamic phenomenon of the French film industry’s attitude of international openness. Through its various components and schemes, the organisation has supported 16 features co-produced with 20 countries that will be unveiled across the different selections of the 67th Berlinale.

Standing out among them are four titles in the running for the 2017 Golden Bear, three of which benefited from World Cinema Support: Colo [+lee también:
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by Teresa Villaverde (which was also backed through co-production support from the French-Portuguese fund), Ana, mon amour [+lee también:
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by Calin Peter Netzer (produced by Romania, France and Germany) and Felicity [+lee también:
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by Alain Gomis (France/Senegal/Belgium). Lastly, Return to Montauk [+lee también:
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by Volker Schlöndorff, produced by Germany, France and Ireland, was supported through the French-German mini co-production treaty.

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The Young Karl Marx [+lee también:
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by Raoul Peck (France/Germany/Belgium), which will have its world premiere in official selection, on the Berlinale Special programme, was also partially funded by the French-German co-production support scheme, in addition to receiving initial development support.

Five titles selected in the Panorama were also backed by the CNC via World Cinema Support: Centaur [+lee también:
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by Aktan Arym Kubat (produced by Germany, France, the Netherlands and Kyrgyzstan), Insyriated [+lee también:
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by Philippe Van Leeuw (Belgium/France/Lebanon), Requiem for Mrs. J. [+lee también:
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by Bojan Vuletic (Serbia/Bulgaria/France/Macedonia), Headbang Lullaby [+lee también:
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by Hicham Lasri (Morocco/France) and Ciao Ciao [+lee también:
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by Song Chuan (France/China).

In Panorama Dokumente, Ghost Hunting [+lee también:
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by Raed Andoni (France/Palestine/Switzerland/Qatar) received writing and development support, while the 100% French production Belinda [+lee también:
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by Marie Dumora pulled off a grand slam, with writing and development support, production support from the Images de la diversité fund
 and a pre-production advance on receipts. 

In the Forum section we find three movies with CNC involvement, two of which secured World Cinema Support: My Happy Family [+lee también:
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by Nana Ekvtimishvili and Simon Gross 
(Germany/Georgia/France) and Low Tide [+lee también:
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by Daniel Mann (Israel/France). They are joined by Foreign Body [+lee también:
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by Raja Amari (Tunisia/France), which benefited from a pre-production advance on receipts, the same type of aid that was granted to Wallay [+lee también:
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by Berni Goldblat (France/Burkina Faso/Qatar), which is being showcased in the Generation section.

(Traducción del francés)

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