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by Salomé Lamas


The panoramic shots are breathtaking: a majestic mountain landscape in winter, flat-roofed tin shacks cowering next to one other, women perched on steep slopes using primitive tools to break through pieces of rock. La Rinconada is situated over 5,000 meters high in the Peruvian Andes, on the edge of a gold mine. This 21st century El Dorado is an inhospitable place, where untold numbers of people live and work in the most precarious of conditions, hoping both for gold and a better life. Salomé Lamas has constructed a cinematic diptych to convey the extremity of this situation and the dimensions of its misery without having to resort to graphic images. While an hour-long single take from a fixed camera position shows an endless stream of mine workers trudging up and down a garbage-lined path day and night, voiceovers speak of cold, hunger, poverty, danger to life and limb, atrocities and lawlessness. The second half of the film then places haunting observations of something like the normal and the everyday alongside all this: chitchat while chewing coca leaves, rituals and social gatherings with music and dancing. It’s only then that the true eeriness of the setting comes to light.

international title: Eldorado XXI
original title: Eldorado XXI
country: Portugal, France
year: 2016
genre: documentary
directed by: Salomé Lamas
film run: 125'
screenplay: Salomé Lamas
cinematography by: Luis Armando Arteaga
film editing: Telmo Churro
music: Norberto Lobo, João Lobo
producer: Luís Urbano, Sandro Aguilar, Thomas Ordonneau
production: O Som e a Fúria, Shellac Sud
backing: Eurimages, Franco-Portuguese co-production support fund


main awards/selection

Berlinale 2016

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