The final part of Heinz Emigholz’s "Streetscapes" series is again a triptych. A prologue examines three buildings from the 1930s designed by Julio Vilamajó in Montevideo which could have inspired the work of Eladio Dieste, the subject of the main part of the film. The industrial and functional buildings presented span the period from 1955 to 1994; their organic brick construction is astonishing and inspiring. Emigholz’s camera gives itself over to the elegantly curved lines, revelling in the buoyant, graceful shell architecture, which lets both air and light pass through, while also examining its surroundings to discover parallels in nature. Then the camera makes its way in turn through dismal, rubbish-strewn industrial areas to cathedral-like factory halls that house eerie mountains of unidentified substances.
|original title:||Dieste [Uruguay]|
|directed by:||Heinz Emigholz|
|cinematography by:||Heinz Emigholz, Till Beckmann|
|film editing:||Heinz Emigholz, Till Beckmann|
|producer:||Frieder Schlaich, Irene von Alberti|