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AMERICA LAND OF THE FREEKS

by Ulli Lommel

synopsis

Ulli Lommel was an obsessive and productive filmmaker of the Fassbinder era. He died in December 2017 leaving behind his 64th film, an angry but not entirely gloomy satire about the state of his adopted country, the USA. In his film, Lommel travels across the States to document Trump’s new America, with a small band of unconventional characters in tow. As someone who experienced the changes at first hand, the country’s gross individualism nonetheless leaves him incredulous – and yet also amused. He feels as if he too is a part of the irrepressible ‘craziness’ that has somehow always endeared the country to him. The so-called ‘white trash’ with whom Trump has sided have yielded to a combination of deep-seated resentment and heightened expectations ad infinitum. Thanks to an instilled sense of opportunism, men who behave like Harvey Weinstein often get away unscathed and capitalism turns serial killers into celebrities, but a miracle healer from Malibu cannot bring any salvation. As Lommel concludes laconically: ‘Why have we in the West sacrificed so much, only to gain so little?’

international title: AMERICA Land of the FreeKS
original title: AMERICA Land of the FreeKS
country: Germany
year: 2018
genre: documentary
directed by: Ulli Lommel
film run: 77'
screenplay: Ulli Lommel
cinematography by: Bianco Pacelli
film editing: Daron Niemerov
art director: Patricia Deveraux
costumes designer: Tabea Braun
music: Robert J. Walsh
producer: Ulli Lommel, Frank Dragun, Irene Höfer, Bernhard Storz
executive producer: Andreas Schroth, Robert Whitmore, Nola Roeper
production: Medea Film Factory, Hollywood Storybook (US)

photogallery

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Berlin 2018Berlinale Special
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