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BLACK NIGHTS 2023 Compétition

Le Festival Black Nights de Tallinn annonce le programme de sa compétition officielle

par 

- Les films en lice, dont 13 seront projetés en première mondiale, 7 en première internationale, comprennent les nouveaux travaux de Călin Peter Netzer, Vanesa Filho, Emma Dante et Manuel Martín Cuenca

Le Festival Black Nights de Tallinn annonce le programme de sa compétition officielle
Familiar de Călin Peter Netzer

Cet article est disponible en anglais.

The 27th edition of the Tallinn Black Nights Film Festival (PÖFF, 3-19 November) has revealed the complete line-up of its Official Selection Competition. This year, the selection comprises 13 world and seven international premieres of movies by established filmmakers that the festival’s programming team wishes to highlight for the audience, film critics and the international film industry alike.

Festival director and head of programme Tiina Lokk shared her excitement over the selection: “This year's diverse programme has remarkably high artistic value with sharp social perspective. Each film tackles contemporary and relevant issues with a stimulating, fresh angle. At the same time, our Official Selection aims to connect high-quality narrative films with auteur cinema. Hence, new artistic approaches and cinema languages have always caught our attention. Everything that's currently in the air will end up on the screens of the Tallinn Black Nights cinemas.”

(L'article continue plus bas - Inf. publicitaire)
Hot docs EFP inside

The European titles enjoying their world premieres include Familiar [+lire aussi :
critique
interview : Călin Peter Netzer
fiche film
]
by Călin Peter Netzer (Child’s Pose), which centres on a filmmaker's decision to craft a narrative about his family's emigration to Germany in the 1980s. Additionally, Forever Hold Your Peace [+lire aussi :
critique
interview : Ivan Marinović
fiche film
]
, directed by Ivan Marinović (The Black Pin [+lire aussi :
critique
bande-annonce
interview : Ivan Marinovic
fiche film
]
), unveils the tale of Dragana, a bride-to-be who abruptly calls off her wedding merely two days before the scheduled event.

On another cinematic frontier, Gust Van den Berghe's (Lucifer [+lire aussi :
critique
bande-annonce
fiche film
]
) The Magnet Man [+lire aussi :
critique
interview : Gust Van den Berghe
fiche film
]
explores the life of Lucien, an individual with a peculiar ability (he attracts all things made of iron to his body), and is set in rural Belgium at the dawn of the 20th century. Ivan Tymchenko's sophomore feature, Oxygen Station [+lire aussi :
critique
interview : Ivan Tymchenko
fiche film
]
, is a richly layered poetic drama inspired by the life of Mustafa Jemilev, a Soviet dissident, human rights advocate and leader of the Crimean Tatar nation. Meanwhile, in White Flag [+lire aussi :
critique
interview : Batbayar Chogsom
fiche film
]
by Batbayar Chogsom, two young women embark on a journey to establish a nomadic life on the steppe, haunted by a troubling spectre from their past, despite their close bond.

A handful of European titles are having their international premieres at Tallinn Black Nights. Amal [+lire aussi :
critique
bande-annonce
interview : Jawad Rhalib
fiche film
]
by Jawad Rhalib (Fadma: Even Ants Have Wings [+lire aussi :
critique
bande-annonce
fiche film
]
) is a social drama that delves into the life of a teacher in a Brussels school who bravely encourages her students to foster a love for literature and freedom of expression, even if it means putting her own safety at risk. Likewise, in Andrea's Love [+lire aussi :
critique
bande-annonce
interview : Manuel Martín Cuenca
fiche film
]
, Manuel Martín Cuenca (The Daughter [+lire aussi :
critique
bande-annonce
fiche film
]
) explores the narrative of a 15-year-old girl yearning to rekindle the affection of her father, who vanished from her life and her mother’s when he separated from the latter. Consent [+lire aussi :
critique
fiche film
]
is the cinematic adaptation by Vanessa Filho (Angel Face [+lire aussi :
critique
bande-annonce
fiche film
]
) of Vanessa Springora’s best-selling book of the same name, offering an intimate glimpse into how the author found herself under the influence of a renowned writer.

In a distinct cinematic offering, The Man From Rome [+lire aussi :
critique
interview : Jaap van Heusden et Rogier…
fiche film
]
by Jaap van Heusden (In Blue [+lire aussi :
bande-annonce
interview : Yannick Jozefzoon
fiche film
]
) traces the journey of Filippo, a sceptical Catholic priest whose world is rocked when he becomes captivated by a mute young woman. Meanwhile, Misericordia [+lire aussi :
critique
bande-annonce
interview : Emma Dante
fiche film
]
by Emma Dante (The Macaluso Sisters [+lire aussi :
critique
bande-annonce
fiche film
]
) unfolds in a barren, seaside wasteland where three prostitutes survive in a village of outcasts, wrestling with the harsh realities of poverty, ignorance and violence. Furthermore, Jos Stelling (The Girl and Death [+lire aussi :
bande-annonce
fiche film
]
) presents Natasha's Dance [+lire aussi :
critique
fiche film
]
, a visual narrative that explores the lives of the introverted Danny and Natasha, a former ballerina who has endured life's hardships. Finally, with Teresa [+lire aussi :
critique
fiche film
]
, Paula Ortiz (The Bride [+lire aussi :
critique
bande-annonce
interview : Paula Ortiz
fiche film
]
) offers an adaptation of the stage play La Lengua en Pedazos by Juan Mayorga, which draws inspiration from the remarkable figure of Saint Teresa of Jesus, also known as Teresa of Ávila (see the news).

Here is the full list of titles:

Official Selection – Competition

Amal [+lire aussi :
critique
bande-annonce
interview : Jawad Rhalib
fiche film
]
- Jawad Rhalib (Belgium/France)
Andrea's Love [+lire aussi :
critique
bande-annonce
interview : Manuel Martín Cuenca
fiche film
]
- Manuel Martín Cuenca (Spain)
Bad Actor - Jorge Cuchi (Mexico)
Ben-Joe - Akira Iwamatsu (Japan)
Consent [+lire aussi :
critique
fiche film
]
- Vanessa Filho (France/Belgium)
Familiar [+lire aussi :
critique
interview : Călin Peter Netzer
fiche film
]
- Călin Peter Netzer (Romania/France/Taiwan)
Forever Hold Your Peace [+lire aussi :
critique
interview : Ivan Marinović
fiche film
]
- Ivan Marinović (Montenegro/Serbia/Czech Republic/Croatia/North Macedonia/Slovenia)
The G - Karl R Hearne (Canada)
Invisible Windows - Dr Bijukumar Demodaran (India)
The Man From Rome [+lire aussi :
critique
interview : Jaap van Heusden et Rogier…
fiche film
]
- Jaap van Heusden (Netherlands/Germany)
The Magnet Man [+lire aussi :
critique
interview : Gust Van den Berghe
fiche film
]
- Gust Van den Berghe (Belgium/Luxembourg/France/Netherlands)
Misericordia [+lire aussi :
critique
bande-annonce
interview : Emma Dante
fiche film
]
- Emma Dante (Italy)
Natasha's Dance [+lire aussi :
critique
fiche film
]
- Jos Stelling (Netherlands)
October Metafiction - Kyu-jun Cho (South Korea)
Once Again (for the very first time) - Boaz Yakin (USA)
Oxygen Station [+lire aussi :
critique
interview : Ivan Tymchenko
fiche film
]
- Ivan Tymchenko (Ukraine/Czech Republic/Sweden/Slovakia)
Patient #1 [+lire aussi :
critique
fiche film
]
- Rezo Gigineishvili (Georgia/Russia)
Ten Months - Idan Hubel (Israel)
Teresa [+lire aussi :
critique
fiche film
]
- Paula Ortiz (Spain)
White Flag [+lire aussi :
critique
interview : Batbayar Chogsom
fiche film
]
- Batbayar Chogsom (Mongolia/Switzerland/Japan)

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(Traduit de l'anglais)

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