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Lucia Haslauer • Commissioning editor, new media department, ZDF


- Lucia Haslauer is the commissioning editor for German public broadcaster ZDF’s new media department

Lucia Haslauer  • Commissioning editor, new media department, ZDF

In the second series of interviews with panellists at this year's Pixel Market Finance Forum (8 October), part of Power to the Pixel: The Cross-Media Forum 2014, we meet Lucia Haslauer, commissioning editor for German public broadcaster ZDF’s new media department. The award-winning, cross-media thriller Rescue Dina Foxx!, interactive documentary Last Hijack [+see also:
film profile
 and the satirical ZDF Mashups series are just some of the projects backed by the department in recent years. 

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“We focus on projects that are interesting for German audiences, but where they come from is not important,” says Haslauer. “We recently participated in the interactive documentary Last Hijack, for example, which was co-produced by the Netherlands, Ireland, France and Germany.”

Lead-produced by Amsterdam-based production company Submarine, the work, exploring the roots of Somali piracy, was made with the support of some 15 partners, including ZDF, the Irish Film Board and film companies such as Germany’s Razor and Belgium’s Savage Films.

Haslauer admits, however, that cross-media co-productions like Last Hijack are rare due to the complications of running such a project across multiple borders. “In many TV stations, online and TV are still accounted and run by separate departments. If you multiply this by four or five partners, you get too many people discussing each step,” she says. “You need to decide who’s your ‘showrunner’ and let them manage it, especially when it comes to transnational projects.”

Most of the work of ZDF’s new media team is linked to the broadcaster’s TV programmes. “We occasionally work on standalones, but they have to be suitable for broadcast. As a public broadcaster, ZDF is not allowed to spend money on web-only programmes. This forces you to think about slots when you create projects for the web,” explains Haslauer.

She adds that pegging a cross-media project to a TV programme also makes sense in terms of its visibility. “Successful cross-media projects often rely on a brand or cultural codes that already exist,” she explains. “What we’ve learned at ZDF is that TV is, and will be, the spotlight for our online projects. Online projects have so much more competition than TV projects, so they need promotion, advertising or luck to be successful.” 

Over the last three years, Haslauer has worked on the standalone ZDF Mashups, which combines clips of popular ZDF series such as Derrick and The Dream Ship to satirical effect; a pilot for talk show Fatihland, a cross-media experiment fronted by stand-up comedian Fatih Cevikollu; and the offbeat comedy Lerchenberg, taking viewers behind the scenes at ZDF through the tale of a TV personality trying to make a comeback.

Beyond her work for ZDF’s new media department, Haslauer also collaborates with Quantum, the TV laboratory of the broadcaster’s legendary Das Kleine Fernsehpiel TV and film talent incubator. “We develop new formatting ideas for tomorrow’s television in cooperation with young talent and outstanding authors. We aim to explore new possibilities of content, format and technology – crossing the borders of genre, length and form.”

Haslauer says it is hard to put a figure on ZDF’s overall new media and cross-media spend because projects tend to be spread across several departments. “The bigger projects are all ‘co-produced’ between the new media department, a TV department and sometimes one of the digital channels, too. We can come in with seed money or sometimes board a project when it’s partly funded,” she explains.

Looking beyond the role of the public broadcaster arena, Haslauer says the increasing involvement of brands and media outlets in cross-media projects is a promising development. “Those financing models don't need a broadcaster anymore; they hire a production company and produce their branded entertainment fiction webisodes themselves,” she says. “I really hope that this approach of storytelling is a future business model for print companies because it refreshes the creative industry and is a proper competition for everybody working in content creation.”

You can catch Lucia at Power to the Pixel: The Cross-Media Forum this October at The Conference and The Pixel Market Finance Forum. For further information and ticket details, head to or email



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