The first clapperboard will slam on 20 March for Les chèvres aussi s’évanouissent, the first directorial feature film by Marie Rémond (a well-known figure in the theatre as a director and as an actor, winning a Molière award for Best Female Newcomer in 2015, and appreciated on the big screen in Montparnasse Bienvenüe [+leggi anche:
recensione
trailer
intervista: Léonor Serraille
scheda film] among other titles). The film aims to explore, in a lighthearted way, what happens when our emotional brain takes over.

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The director is also heading the cast, alongside José Garcia (nominated for the 2006 César award for Best Actor for The Axe [+leggi anche:
trailer
scheda film], and in French cinemas on 10 April in Nous, les Leroy), director and actor Gustave Kervern (appreciated in Macadam Stories [+leggi anche:
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scheda film] and In the Courtyard [+leggi anche:
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intervista: Philippe Martin
scheda film] among other films, in cinemas this year in De l’art ou du Machond?) and Olivia Côte (a highlight in My Donkey, My Lover & I [+leggi anche:
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scheda film] and Two Tickets to Greece among other films).

Also in the cast are Alain Françon (an important figure of French theatre, who made an impression on the big screen in DNA [+leggi anche:
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scheda film]), Yannick Choirat (Rust & Bone [+leggi anche:
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intervista: Jacques Audiard
intervista: Jacques Audiard
scheda film], the series Reign Supreme [+leggi anche:
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intervista: Olivier Wotling
scheda series]), Anne Le Ny (nominated for the 2012 César award for Best Supporting Actress for The Intouchables [+leggi anche:
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scheda film]) and Lolita Chammah (Barrage [+leggi anche:
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intervista: Laura Schroeder
scheda film]).

Written by Marie Rémond, the script (a finalist at the 2022 Prix du Scénario) centres on Élise. Nothing in her life is going well: stuck in a toxic romantic relationship, she finds herself thrown into the role of theatre director following the sudden death of the famous Groutchov, whom she was the assistant to. A strange symptom called panic disorder takes hold of her. Élise tries not to show it, but her relationship with the world is totally changed as a result. Could this be an occasion for her to start looking at life differently?

Produced by Pauline Seigland and Lionel Massol for Films Grand Huit, Les chèvres aussi s’évanouissent is co-produced by Division and by Belgium’s Panache Productions, as well as Chapka Films and Super 8 Production. Pre-bought by Canal+ and Ciné+, the feature film also benefits from the support of the advance on receipts from the CNC, of Pictanovo (Hauts-de-France region), of the Eurométropole de Strasbourg, of the Cofimage Sofica. Filming will last until 2 May in Strasbourg, Lille and Paris, with Virginie Saint-Martin (nominated for the Magritte award in her category in 2014 and 2015) as director of photography. The film’s music will be composed by the rock band Feu! Chatterton. French distribution will be handled by KMBO and international sales by MPM Premium.

For the record, Films Grand Huit is behind the recent title Disco Boy [+leggi anche:
recensione
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intervista: Giacomo Abbruzzese
scheda film] by Giacomo Abbruzzese and currently manages Les Fantômes [+leggi anche:
intervista: Pauline Seigland
scheda film] by Jonathan Millet, Mi bestia by Camila Beltrán (news), Rabia by Mareike Engelhardt, and Mikado by Baya Kasmi in post-production.