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FESTIVAL / PREMI Francia

Una grande line-up e 25 candeline per Music & Cinema

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- L'imperdibile evento per i professionisti del mondo del cinema e della musica per film si terrà a Marsiglia dall'1 al 6 aprile

Una grande line-up e 25 candeline per Music & Cinema
Elbow di Asli Özarslan

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Welcoming each year nearly a thousand professionals and attracting a large audience (over 27,000 viewers last year), the Marseille Music & Cinema Festival (MCM) will celebrate its 25th edition from 1-6 April 2024 and will open with the Canadian-French production Temporaries [+leggi anche:
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by Pier-Philippe Chevigny (with an original score by Félicia Atkinson).

Standing out among the ten feature films (all of them first, second, or third features) competing for the 2024 Grand Prix dedicated to the best original score (which will be handed out by a jury composed of directors Mounia Meddour and Blandine Lenoir and composers Selma Mutal and Audrey Ismaël), are Elbow [+leggi anche:
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intervista: Aslı Özarslan
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by German director Asli Özarslan (discovered in the Generation programme of the latest Berlinale, with original score by Delphine Mantoulet), Without Air [+leggi anche:
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intervista: Katalin Moldovai
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by Hungary’s Katalin Moldovai (which played in Toronto, original score by Cári Tibor), Slow [+leggi anche:
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intervista: Marija Kavtaradze
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by Lithuanian filmmaker Marija Kavtaradze (Best Director at Sundance, score by Irya Gmeyner, Martin Hederos and Vincent Barrière), My Wonderful Stranger by Finnish-Swedish director Johanna Pyykkö (score by Jakob Lindhagen and Delphine Malaussena) and Solitude [+leggi anche:
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intervista: Ninna Pálmadóttir
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by Iceland’s Ninna Pálmadóttir (unveiled in Toronto, score by Petur Thor Benediktsson).

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Also in competition are The Land Within [+leggi anche:
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intervista: Fisnik Maxville
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by Kosovo’s Fisnik Maxville (Best Debut Feature in Tallinn, score by Nicolas Rabaeus), Belgian production Katika Bluu [+leggi anche:
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by Stéphane Vuillet and Stéphane Xhroüet (score by Thomas Faure), Jour de Merde by Canada’s Kévin T Landry (score by Éloi Ragot) and the documentaries Dancing on the Edge of a Volcano [+leggi anche:
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intervista: Cyril Aris
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by Lebanese filmmaker Cyril Aris (special mention in Karlovy Vary, score by Anthony Sahyoun) and On the Edge [+leggi anche:
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by France’s Nicolas Peduzzi (which played in Cannes’ ACID competition, score by Gaël Rakotondrabe).

There will also be a competition of 65 short films (12 animated, 6 documentaries and 47 fiction films) from 31 countries and, among the guests of honour (given carte blanche) are Belgian director Felix Van Groeningen (who will be delivering a masterclass), French conductor Zahia Ziouani (whose journey is retraced in a fictional mode in Marie-Castille Mention-Schaar’s Divertimento [+leggi anche:
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), French filmmakers Olivier Nakache and Éric Toledano, and American composer Lolita Ritmanis

In the Duets programme, which highlights pairs of composers and directors, we find Audrey Ismaël and Vanessa Filho with Consent [+leggi anche:
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, and Bachar Mar-Khalifé and Zeno Graton with The Lost Boys [+leggi anche:
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intervista: Zeno Graton
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.

The They Are Back section will offer The Dreamer [+leggi anche:
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intervista: Anaïs Tellenne
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by Anaïs Tellenne (score by Amaury Chabauty) and premieres of Nouveau monde by Vincent Cappello (score by Matthieu Di Stefano), The Fantastic Three by Michaël Dichter (score by Hugo Gonzalez-Pioli) and Six pieds sur terre by Karim Bensalah (score by Adrien Casalis). 

The MCM’s Favorites section of this edition will be dedicated to Jérémy Clapin (with Meanwhile on Earth [+leggi anche:
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– score by Dan Levy), to composer Julie Roué (with The (Ex)perience of Love [+leggi anche:
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intervista: Ann Sirot e Raphael Balboni
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and No Love Lost [+leggi anche:
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intervista: Erwan Le Duc
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) and to Blandine Lenoir (with Angry Annie [+leggi anche:
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, score by Bertrand Belin).

Beyond multiple cartes blanches (dedicated to the Thessaloniki, Tallinn Black Nights, and Geneva festivals), conferences, roundtables, a family programme and film-concerts, the programme will also include a Workshop in Musical Composition for Cinema directed this year by Pablo Pico.

Finally, the International Market for Musical Composition for Cinema will take place on 4 and 5 April. 

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