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Il Festival Human Rights Watch svela il suo programma

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- In inglese: Tra i film selezionati per la 20a edizione della manifestazione spiccano The Idol, The High Sun e Among the Believers

Il Festival Human Rights Watch svela il suo programma
The Idol by Hany Abu-Assad

Questo articolo è disponibile in inglese.

The 20th edition of the Human Rights Watch Film Festival (9-18 March) will open in London with Nanfu Wang’s Hooligan Sparrow (China/US), a film that highlights the cost of defending human rights in China, and close with Deniz Gamze Ergüven’s much acclaimed Mustang [+leggi anche:
recensione
trailer
intervista: Deniz Gamze Ergüven
scheda film
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(France/Germany/Turkey/Qatar), the story of five rebellious sisters growing up in Turkey. Other highlights include Hany Abu-Assad’s The Idol [+leggi anche:
trailer
scheda film
]
(Palestine) about a Palestinian pop singer who wins ‘Arab Idol’; Dalibor Matanić’s Cannes winner, the Balkan drama The High Sun [+leggi anche:
recensione
trailer
intervista: Dalibor Matanic
scheda film
]
(Croatia/Serbia/Slovenia); and George Amponsah’s The Hard Stop [+leggi anche:
trailer
scheda film
]
 (UK) about the Tottenham riots. The festival’s Benefit Gala will be Mohammed Naqvi and Hemal Trivedi’s Among the Believers (Pakistan/US), an exploration of the Red Mosque Islamic schools in Pakistan.

(L'articolo continua qui sotto - Inf. pubblicitaria)

The festival also includes programmes combining visual media with discussions about filmmaking and human rights between Human Rights Watch experts and human rights advocates including Charif Kiwan, spokesman for the Syrian film collective Abounaddara, the filmmakers Kim Longinotto and James Brabazon, and photographers Giles Duley and Zalmaï.

Festival creative director John Biaggi said, “The stand out themes this year are censorship and freedom in China; migration and the refugee crisis; artists as agitators; as well as LGBT, children and women’s rights – and weaving throughout is empowered personal filmmaking shows that it is as much the journeys made by the filmmakers themselves as the struggles faced by their subjects that make human rights storytelling so powerful.”

(L'articolo continua qui sotto - Inf. pubblicitaria)

(Tradotto dall'inglese)

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