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BERLINO 2017 Finanziamenti / Francia

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CNC forza 16 a Berlino

di 

- In inglese: Il regolatore del cinema francese ha sostenuto 16 lungometraggi, coprodotti con 20 paesi, selezionati a Berlino, di cui quattro in concorso

CNC forza 16 a Berlino
Colo by Teresa Villaverde

Questo articolo è disponibile solo in inglese.

Now more than ever, the CNC is asserting its role as a facilitator that supports, and even stimulates, the highly dynamic phenomenon of the French film industry’s attitude of international openness. Through its various components and schemes, the organisation has supported 16 features co-produced with 20 countries that will be unveiled across the different selections of the 67th Berlinale.

Standing out among them are four titles in the running for the 2017 Golden Bear, three of which benefited from World Cinema Support: Colo [+leggi anche:
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by Teresa Villaverde (which was also backed through co-production support from the French-Portuguese fund), Ana, mon amour [+leggi anche:
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by Calin Peter Netzer (produced by Romania, France and Germany) and Felicity [+leggi anche:
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by Alain Gomis (France/Senegal/Belgium). Lastly, Return to Montauk [+leggi anche:
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by Volker Schlöndorff, produced by Germany, France and Ireland, was supported through the French-German mini co-production treaty.

The Young Karl Marx [+leggi anche:
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by Raoul Peck (France/Germany/Belgium), which will have its world premiere in official selection, on the Berlinale Special programme, was also partially funded by the French-German co-production support scheme, in addition to receiving initial development support.

Five titles selected in the Panorama were also backed by the CNC via World Cinema Support: Centaur [+leggi anche:
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by Aktan Arym Kubat (produced by Germany, France, the Netherlands and Kyrgyzstan), Insyriated [+leggi anche:
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by Philippe Van Leeuw (Belgium/France/Lebanon), Requiem for Mrs. J. [+leggi anche:
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by Bojan Vuletic (Serbia/Bulgaria/France/Macedonia), Headbang Lullaby [+leggi anche:
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by Hicham Lasri (Morocco/France) and Ciao Ciao [+leggi anche:
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by Song Chuan (France/China).

In Panorama Dokumente, Ghost Hunting [+leggi anche:
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by Raed Andoni (France/Palestine/Switzerland/Qatar) received writing and development support, while the 100% French production Belinda [+leggi anche:
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by Marie Dumora pulled off a grand slam, with writing and development support, production support from the Images de la diversité fund
 and a pre-production advance on receipts. 

In the Forum section we find three movies with CNC involvement, two of which secured World Cinema Support: My Happy Family [+leggi anche:
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by Nana Ekvtimishvili and Simon Gross 
(Germany/Georgia/France) and Low Tide [+leggi anche:
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by Daniel Mann (Israel/France). They are joined by Foreign Body [+leggi anche:
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by Raja Amari (Tunisia/France), which benefited from a pre-production advance on receipts, the same type of aid that was granted to Wallay [+leggi anche:
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by Berni Goldblat (France/Burkina Faso/Qatar), which is being showcased in the Generation section.

(Tradotto dal francese)

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