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Cristóbal Soage

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108 articles available in total starting from 22/03/2017. Last article published on 25/09/2026.

Massih Parsaei • Director of Lovers Sleep Alone

Interview: Massih Parsaei • Director of Lovers Sleep Alone

“Berlin became the film’s second character”

The Iranian-born, German-based filmmaker discusses male intimacy and the anxiety created by Europe’s increasingly hostile political climate  

25/09 | San Sebastián 2026 | New Directors

Javier Giner • Director of This Solitude

Interview: Javier Giner • Director of This Solitude

“This Solitude could almost be a film about exhaustion”

The Basque filmmaker explains his emotional return to his hometown, his fondness for imperfect characters, and the political dimension of intimacy  

25/09 | San Sebastián 2026 | New Directors

Thomas Woodroffe • Director of Erratics

Interview: Thomas Woodroffe • Director of Erratics

“The violence in those images also lies in the way they look at people”

The Chilean filmmaker talks about the violence inherent in archives and the need for cinema to resist formal standardisation  

25/09 | San Sebastián 2026 | New Directors

Javier Calvo, Javier Ambrossi • Directors of La bola negra

Interview: Javier Calvo, Javier Ambrossi • Directors of La bola negra

“Queer stories aren’t niche; they’re much bigger than that”

The Spanish directorial duo talk about their film’s major international success, their connection with young audiences, and the value of telling a story about love and memory  

24/09 | San Sebastián 2026

Review: Lovers Sleep Alone

Review: Lovers Sleep Alone

The first feature by Iranian-born, German-based filmmaker Massih Parsaei is an austere yet delicately crafted portrait of an immigrant’s solitary life in Berlin  

24/09 | San Sebastián 2026 | New Directors

Review: This Solitude

Review: This Solitude

Javier Giner’s debut feature is a portrait of two damaged souls whose break-up acts as the catalyst that causes all their wounds to bleed  

24/09 | San Sebastián 2026 | New Directors

Review: Erratics

Review: Erratics

In his feature debut, Chile's Thomas Woodroffe offers an evocative revisiting of the footage filmed by Paul Castelnau in Tierra del Fuego in the early 20th century  

23/09 | San Sebastián 2026 | New Directors

Marlene Emilie Lyngstad • Director of Cute

Interview: Marlene Emilie Lyngstad • Director of Cute

“This character did not choose what he is attracted to, but he has to learn how to live with it"

The Norwegian director discusses her first feature and how to create empathy without neglecting a sense of responsibility  

23/09 | San Sebastián 2026 | New Directors

Naëmi Ada • Director of Body of Glass

Interview: Naëmi Ada • Director of Body of Glass

“There is always a lot of truth in every untruth she creates”

The German filmmaker discusses her feature debut, the boundary between performance and truth, and the visibility of violence  

23/09 | San Sebastián 2026 | New Directors

Review: February, Seven Days

Review: February, Seven Days

The debut feature by German-Ukrainian filmmaker Tatjana Moutchnik delicately and sagely portrays the impact of Russia's invasion of Ukraine on a family  

22/09 | San Sebastián 2026 | New Directors

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