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Daniele Zoico

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29 articles available in total starting from 31/08/2024. Last article published on 14/09/2026.

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Léa Domenach • Director of A Man's Skin

Interview: Léa Domenach • Director of A Man's Skin

"The film deals with tough themes, but it's all wrapped in champagne bubbles"

VENICE 2026: The French director talks about her queer and feminist musical comedy set in the 15th century, which questions identity, desire and social roles  

14/09 | Venice 2026 | Giornate degli Autori

Damilola Orimogunje • Director of Dear Ajayi

Interview: Damilola Orimogunje • Director of Dear Ajayi

"These two sisters react at the society in their own ways, and for me it was very important not to judge them"

VENICE 2026: The director talks about his second feature, set in 1990s Nigeria and centring on two sisters who are trying to find their place in the world  

12/09 | Venice 2026 | Giornate degli Autori

Mykyta Gibalenko • Director of Camouflage

Interview: Mykyta Gibalenko • Director of Camouflage

"The idea was to tell a story of migration before and after the beginning of the full scale invasion"

VENICE 2026: The director talks to us about his debut feature, the story of a young Ukrainian in Germany during the Russian invasion of his country  

11/09 | Venice 2026 | Giornate degli Autori

Nathalia Acevedo • Director of Salón de belleza

Interview: Nathalia Acevedo • Director of Salón de belleza

"It's a space out of time, where present, past and future coexist at the same time"

VENICE 2026: The Mexican actress talks about her directorial debut, in which a beauty salon becomes a place to reflect on the fragility of existence  

10/09 | Venice 2026 | Giornate degli Autori

Robert Guédiguian • Director of A Woman Today

Interview: Robert Guédiguian • Director of A Woman Today

"In order to talk about emancipation today, I had to talk about a young woman who hadn't lived through the struggles of the 1970s"

VENICE 2026: The French director guides us through his new film, the story of a senior executive who decides to break with the past and venture down a new path in order to find herself  

09/09 | Venice 2026 | Giornate degli Autori

María Aparicio • Director of Sometimes Sadness, Sometimes Rebellion

Interview: María Aparicio • Director of Sometimes Sadness, Sometimes Rebellion

"Cinema is everywhere for me: you just have to look with a little bit of attention"

VENICE 2026: The Argentinian director discusses her fourth feature, poised between cinema and real life, and a profound reflection on work, migration and memory  

08/09 | Venice 2026 | Giornate degli Autori

Kuba Dorabialski • Director of Agata the Writer

Interview: Kuba Dorabialski • Director of Agata the Writer

"As artists, we have to confront with the world we live in, but how far can we go in using someone else’s trauma?"

VENICE 2026: The director and video artist talks to us about his debut feature, starring Mia Wasikowska as a writer grappling with the difficulty of telling the story of a war that isn’t hers  

08/09 | Venice 2026 | Giornate degli Autori

Nicola Sorcinelli • Director of Balcanica

Interview: Nicola Sorcinelli • Director of Balcanica

"It was important for me to depict a human connection that would be recognisable in order to elicit empathy"

VENICE 2026: The Italian director chats to us about his debut feature, the story of an Afghan father and son fleeing their homeland with their musical instruments  

08/09 | Venice 2026 | Giornate degli Autori

Pauline Julier, Nicolas Chapoulier • Directors of Les Indes

Interview: Pauline Julier, Nicolas Chapoulier • Directors of Les Indes

"We felt like the 17th century was a great choice to tell the story of our era - it's like a sort of mirror"

VENICE 2026: The Swiss duo talks about their debut, which draws inspiration from the journey undertaken by the portrait of Maria Theresa of Austria, the Spanish Infanta, to the court of Louis XIV  

08/09 | Venice 2026 | Giornate degli Autori

Boris Hadžija, Hoda Taheri • Directors of I Plant My Hand in the Garden

Interview: Boris Hadžija, Hoda Taheri • Directors of I Plant My Hand in the Garden

“Our films are always somehow in a continuous conversation with one other”

VENICE 2026: The directing duo blur autobiography and fiction to explore what it means to be a family, amid migration, identity and parenthood  

05/09 | Venice 2026 | Giornate degli Autori

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