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Daniele Zoico


18 articles available in total starting from 31/08/2024. Last article published on 09/09/2025.

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Gianni Di Gregorio  • Director of Damned If You Do, Damned If You Don't

Interview: Gianni Di Gregorio • Director of Damned If You Do, Damned If You Don't

"My character remains the central pivot, but I thought it was more interesting to talk about all ages, even children"

VENICE 2025: The Italian director once again takes on the role of a teacher who, once he has retired, plans to enjoy the little pleasures in life  

09/09 | Venice 2025 | Giornate degli Autori

Lana Daher • Director of Do You Love Me

Interview: Lana Daher • Director of Do You Love Me

"In Lebanon we do have a lot of pain but we also have a lot of art, music and love"

VENICE 2025: The Lebanese helmer casts an eye over the fragmented historical, social, cultural and political landscapes of Beirut in her debut feature-length documentary  

09/09 | Venice 2025 | Giornate degli Autori

Gabriel Azorín • Director of Last Night I Conquered the City of Thebes

Interview: Gabriel Azorín • Director of Last Night I Conquered the City of Thebes

"Those thermal baths have a magical quality, they are the perfect place to create intimacy"

VENICE 2025: In his feature debut, the Spanish director broaches the topic of masculinity in all its fragility, in a place suspended between past and present  

09/09 | Venice 2025 | Giornate degli Autori

Amir Azizi • Director of Inside Amir

Interview: Amir Azizi • Director of Inside Amir

"What I want to show in this film is that hope is not far away"

VENICE 2025: The Iranian director breaks down his GdA Director's Award winning film, a personal exploration of the doubts that plague him before he leaves his home country  

09/09 | Venice 2025 | Giornate degli Autori

Nicolas Wadimoff • Director of Who Is Still Alive

Interview: Nicolas Wadimoff • Director of Who Is Still Alive

"I experienced for the first time what it is to be with someone who experience a genocide, which is different from a war"

VENICE 2025: The Swiss director talks about his moving film, in which nine Palestinian refugees share their stories in minimalistic surroundings that reproduce the map of Gaza  

09/09 | Venice 2025 | Giornate degli Autori

Gianluca Matarrese • Director of I Want Her Dead

Interview: Gianluca Matarrese • Director of I Want Her Dead

"This film is like a cinematic reality show"

VENICE 2025: The director reconnects with his Calabrian roots with his mix of reality, fiction and theatre, which tells of the feud within a family: his own, to be precise  

09/09 | Venice 2025 | Giornate degli Autori

Claire Simon • Director of Writing Life: Annie Ernaux Through the Eyes of High School Students

Interview: Claire Simon • Director of Writing Life: Annie Ernaux Through the Eyes of High School Students

"The advantage of this idea was being able to portray the youth of today and hear Annie Ernaux's text"

VENICE 2025: The French director tells us about her new documentary, in which she explores the impact of the work penned by the author, about a group of secondary-school students  

09/09 | Venice 2025 | Giornate degli Autori

Mayra Hermosillo • Director of Vainilla

Interview: Mayra Hermosillo • Director of Vainilla

"I've always secretly judged my family, so I told myself I had to go back and realize what it really was"

VENICE 2025: The Mexican director talks about her film centring on an eccentric family consisting only of women, who fight to save their home from foreclosure  

06/09 | Venice 2025 | Giornate degli Autori

Stergios Dinopoulos, Krysianna B Papadakis • Directors of Bearcave

Interview: Stergios Dinopoulos, Krysianna B Papadakis • Directors of Bearcave

"The two protagonists represent the dualism of the people who live in those areas"

VENICE 2025: The pair of directors talk about their feature debut, which broaches topics such as friendship, bravery and the desire to escape  

04/09 | Venice 2025 | Giornate degli Autori

Damien Hauser • Director of Memory of Princess Mumbi

Interview: Damien Hauser • Director of Memory of Princess Mumbi

"Compared to when I used it in the movie, the AI ​​has improved a lot and it's even a little scary"

VENICE 2025: The Swiss-Kenyan filmmaker whisks us off to the year 2093, on the trail of a director who has to make a documentary about a devastating war, if possible without using AI  

04/09 | Venice 2025 | Giornate degli Autori

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