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Giorgia Del Don

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428 articles available in total starting from 12/03/2014. Last article published on 15/10/2024.

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On Becoming a Guinea Fowl and Black Box Diaries are the big winners at the Zurich Film Festival

On Becoming a Guinea Fowl and Black Box Diaries are the big winners at the Zurich Film Festival

The event awarded its most coveted prizes to films by two brave and radical artists: Rungano Nyoni and Shiori Itō  

15/10 | Zurich 2024 | Awards

Review: September 5

Review: September 5

Tim Fehlbaum reconstructs the tragic hostage-taking incident during the 1972 Munich Olympics from the viewpoint of the journalists who covered it  

14/10 | Zurich 2024

Francesca Comencini • Director of The Time It Takes

Interview: Francesca Comencini • Director of The Time It Takes

“Paying public but also private homage to my father involved walking through fire”

VENICE 2024: The Italian director talked to us about the courage that was necessary to evoke her relationship with her father, filmmaker Luigi Comencini, and the importance of resilience  

07/09 | Venice 2024 | Out of Competition

Martina Parenti and Massimo D’Anolfi • Directors of Bestiaries, Herbaria, Lapidaries

Interview: Martina Parenti and Massimo D’Anolfi • Directors of Bestiaries, Herbaria, Lapidaries

“It is so difficult to distribute documentaries that, at the end of the day, their length doesn’t make much difference”

VENICE 2024: Cineuropa talked with the duo of Italian directors who told us how their film came to be, what’s hidden behind its title, and what unites the three acts that compose it  

04/09 | Venice 2024 | Out of Competition

Review: Bestiaries, Herbaria, Lapidaries

Review: Bestiaries, Herbaria, Lapidaries

VENICE 2024: The poetic feature by the Italian directing duo of Martina Parenti and Massimo D’Anolfi transports us into the heart of things, where the human eye hardly ever lingers  

03/09 | Venice 2024 | Out of Competition

Review: Green Line

Review: Green Line

French director Sylvie Ballyot presents a debut feature that revisits the Lebanese Civil War period through the eyes of a young girl  

19/08 | Locarno 2024 | Competition

Maxime Jean-Baptiste • Director of Listen to the Voices

Interview: Maxime Jean-Baptiste • Director of Listen to the Voices

“Fiction allowed us to distance ourselves from tragedy, so that reality didn’t overwhelm us”

The young filmmaker from French Guiana tells us about his closeness with his characters, how to represent violence and elaborate his own traumas  

15/08 | Locarno 2024 | Cineasti del Presente

Pia Marais • Director of Transamazonia

Interview: Pia Marais • Director of Transamazonia

“I like female characters who, a bit like Hitchcock’s, are hiding something underneath”

The South African-born director tells us about how she grappled with the paradoxes of the Amazon rainforest and her love for ambiguous female characters  

15/08 | Locarno 2024 | Competition

Ramon and Silvan Zürcher • Director and producer of The Sparrow in the Chimney

Interview: Ramon and Silvan Zürcher • Director and producer of The Sparrow in the Chimney

"We often associate destruction with something negative, but sometimes it’s necessary for something healthy to take root"

The Swiss duo expand on their artistic universe, their passion for still-life, and cinema as a means for experimenting with alternative family ties  

14/08 | Locarno 2024 | Competition

Review: Skill Issue

Review: Skill Issue

German director Willy Hans treats us to a profound and atmospheric first feature film, following a group of young adults grappling with the difficulty of connecting with one another  

14/08 | Locarno 2024 | Cineasti del Presente

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