Marta Balaga (The article continues below - Commercial information) 1016 articles available in total starting from 07/04/2017. Last article published on 27/05/2024. page: [1] 2 3 4 5 6 7 8 ... 100 101 102 next Interview: Halfdan Ullmann Tøndel • Director of Armand“Making people uncomfortable might be something I just know how to do”CANNES 2024: We caught up with the first Norwegian winner of the Caméra d’Or to discuss body language, discomfort and other aspects of his new film 27/05 | Cannes 2024 | Un Certain RegardReview: My SunshineCANNES 2024: This likeable film by Hiroshi Okuyama lacks bite, but it will make you want to put on your old skates again – if you manage to find them, that is 27/05 | Cannes 2024 | Un Certain RegardInterview: Jean-Christophe Meurisse • Director of Plastic Guns“My characters are disguising their actual lives and trying to step into different ones, even if it will eventually destroy them”CANNES 2024: Wannabe detectives and murderers without a conscience seek each other out in the French director’s film – and predictably, mayhem ensues 25/05 | Cannes 2024 | Directors’ FortnightInterview: Mahdi Fleifel • Director of To a Land Unknown“I’m always intrigued by what it means to have no place where you belong”CANNES 2024: The Palestinian-Danish director takes on the melancholy of exile as two Palestinian cousins get stranded in Greece 24/05 | Cannes 2024 | Directors’ FortnightReview: Motel DestinoCANNES 2024: It’s getting hot in here in Karim Aïnouz’s fun, sweaty noir 23/05 | Cannes 2024 | CompetitionReview: The ApprenticeCANNES 2024: Ali Abbasi’s satire about baby Trump is shallow and pointless, a real misstep for the versatile director 21/05 | Cannes 2024 | CompetitionInterview: Rungano Nyoni, Susan Chardy • Director of and actress in On Becoming a Guinea Fowl“It’s about how difficult it is to speak up”CANNES 2024: The helmer and the star of this film, about a late uncle’s dark secrets coming to light, talk about being complicit in silence 21/05 | Cannes 2024 | Un Certain RegardInterview: Saïd Hamich Benlarbi • Director of Across the Sea“I have lived through the experience of exile”CANNES 2024: In his new film, the French-Moroccan director salutes the dreamers and those who never truly feel at home 18/05 | Cannes 2024 | Critics’ WeekInterview: Emmanuel Courcol • Director of The Marching Band“My main concern was making sure the audience doesn’t leave the cinema feeling desperate”CANNES 2024: The French director behind The Big Hit proves that music really brings people together – even long-lost siblings 18/05 | Cannes 2024 | Cannes PremièreInterview: Nada Riyadh, Ayman El Amir • Directors of The Brink of Dreams“These girls challenge traditions”CANNES 2024: The Egyptian filmmakers follow an all-female street-theatre troupe that is, and always was, uncompromising 18/05 | Cannes 2024 | Critics’ Week page: [1] 2 3 4 5 6 7 8 ... 100 101 102 next (The article continues below - Commercial information)