Savina Petkova (The article continues below - Commercial information) 224 articles available in total starting from 24/02/2023. Last article published on 21/09/2026. page: [1] 2 3 4 5 6 7 8 ... 21 22 23 next La Bola Negra scoops Toronto’s People’s Choice AwardAngh has won the Platform Prize; other European co-productions such as Brace Your Heart, Elsinore and Ancestors are also on the winners' list 21/09 | Toronto 2026 | AwardsReview: A Long WinterAnother masterfully told ghost story by Andrew Haigh follows a mysterious disappearance during a winter in 1950s Colorado 18/09 | Toronto 2026 | Special PresentationsReview: The Idiot(s)Aimee Lou Wood is resplendent as Fyodor Dostoyevsky’s wife, Anna, in a new her-story biopic by Małgorzata Szumowska and Michał Englert 17/09 | Toronto 2026 | Special PresentationsReview: LemonadeDocumentarian Kim Bartley’s fiction debut sheds light on the Irish foster-care system with a tender coming-of-age story that sees Barry Keoghan among the cast 17/09 | Toronto 2026 | CentrepieceReview: ElsinoreIn Simon Stone’s poignant biopic, Andrew Scott gives an award-worthy performance as an ailing actor playing Hamlet 16/09 | Toronto 2026 | Special PresentationsReview: The Story of Documentary Film: 1980sMark Cousins invites us to join him on an exciting “road movie” trip through 1980s documentary cinema in the newest section of his 16-hour epic to screen at festivals 22/07 | Golden Apricot 2026The Currents and Dry Leaf win big at the 23rd Golden Apricot International Film FestivalThe Armenian gathering welcomed a stellar selection of European filmmakers, such as Jessica Hausner, Paweł Pawlikowski and Mark Cousins, from 12-19 July 20/07 | Golden Apricot 2026 | AwardsInterview: Zachary Wigon • Director of Victorian Psycho“I'm interested in the most intense, fullest expression of psychology and emotion that you can get on screen”CANNES 2026: The director discusses genre, aesthetics and his complex relationship with ethics in his Victorian-era psychological horror film 23/05 | Cannes 2026 | Un Certain RegardInterview: Clio Barnard • Director of I See Buildings Fall Like Lighting“Everybody wanted the same thing, which was to see those five characters together on the screen”CANNES 2026: The British director discusses her new film adaptation and shooting in Birmingham for the first time 23/05 | Cannes 2026 | Directors' FortnightInterview: Olivier Clert • Director of Lucy Lost“Animation is a great tool to find the mystery in reality”CANNES 2026: The French director behind Xilam’s new animated feature discusses its visual style and approach to adaptation in his debut featur 21/05 | Cannes 2026 | Séances spéciales page: [1] 2 3 4 5 6 7 8 ... 21 22 23 next (The article continues below - Commercial information)