email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Vittoria Scarpa

(The article continues below - Commercial information)

2040 articles available in total starting from 01/03/2007. Last article published on 23/09/2026.

page:   [1]  2  3  4  5  6  7  8 ... 202  203  204 
Ana Vaz • Director of Hanabi

Interview: Ana Vaz • Director of Hanabi

“It's a film which needs to be seen, as well as heard”

The Brazilian filmmaker focuses on Fukushima to probe an invisible, planetary catastrophe in a sensorial documentary where sound, time and images resonate with one another  

23/09 | /France/Brazil

Léa Domenach • Director of A Man's Skin

Interview: Léa Domenach • Director of A Man's Skin

"The film deals with tough themes, but it's all wrapped in champagne bubbles"

VENICE 2026: The French director talks about her queer and feminist musical comedy set in the 15th century, which questions identity, desire and social roles  

14/09 | Venice 2026 | Giornate degli Autori

Review: A Man's Skin

Review: A Man's Skin

VENICE 2026: With her second feature, Léa Domenach ushers audiences into a queer, feminist fairy tale set in the 15th century yet perfectly attuned to the present  

12/09 | Venice 2026 | Giornate degli Autori

Damilola Orimogunje • Director of Dear Ajayi

Interview: Damilola Orimogunje • Director of Dear Ajayi

"These two sisters react at the society in their own ways, and for me it was very important not to judge them"

VENICE 2026: The director talks about his second feature, set in 1990s Nigeria and centring on two sisters who are trying to find their place in the world  

12/09 | Venice 2026 | Giornate degli Autori

Sometimes Sadness, Sometimes Rebellion wins the GdA Director’s Award in the Giornate degli Autori

Sometimes Sadness, Sometimes Rebellion wins the GdA Director’s Award in the Giornate degli Autori

VENICE 2026: The film by María Aparicio has taken home the top prize; the Europa Cinemas Label went to A Woman Today and the People’s Choice Award to Balcanica  

11/09 | Venice 2026 | Giornate degli Autori/Awards

Mykyta Gibalenko • Director of Camouflage

Interview: Mykyta Gibalenko • Director of Camouflage

"The idea was to tell a story of migration before and after the beginning of the full scale invasion"

VENICE 2026: The director talks to us about his debut feature, the story of a young Ukrainian in Germany during the Russian invasion of his country  

11/09 | Venice 2026 | Giornate degli Autori

Nathalia Acevedo • Director of Salón de belleza

Interview: Nathalia Acevedo • Director of Salón de belleza

"It's a space out of time, where present, past and future coexist at the same time"

VENICE 2026: The Mexican actress talks about her directorial debut, in which a beauty salon becomes a place to reflect on the fragility of existence  

10/09 | Venice 2026 | Giornate degli Autori

Review: Camouflage

Review: Camouflage

VENICE 2026: Mykyta Gibalenko explores war through the prism of distance, following a young Ukrainian in Germany who goes back to his roots when conflict breaks out in his family  

10/09 | Venice 2026 | Giornate degli Autori

Robert Guédiguian • Director of A Woman Today

Interview: Robert Guédiguian • Director of A Woman Today

"In order to talk about emancipation today, I had to talk about a young woman who hadn't lived through the struggles of the 1970s"

VENICE 2026: The French director guides us through his new film, the story of a senior executive who decides to break with the past and venture down a new path in order to find herself  

09/09 | Venice 2026 | Giornate degli Autori

Review: Salón de belleza

Review: Salón de belleza

VENICE 2026: Nathalia Acevedo makes her directorial debut, turning a beauty salon into a refuge for the dying in a radical and sensorial film hovering between bodies, memory and disquiet  

08/09 | Venice 2026 | Giornate degli Autori

page:   [1]  2  3  4  5  6  7  8 ... 202  203  204 
(The article continues below - Commercial information)

Privacy Policy

Creative Europe MEDIA