email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Carlota Moseguí

(The article continues below - Commercial information)

88 articles available in total starting from 19/05/2016. Last article published on 04/03/2020.

page:   1  2  [3]  4  5  6  7  8  9 
Review: The Cave

Review: The Cave

Feras Fayyad offers a feminist documentary on the epic work of a woman-doctor who saves the lives of bombing victims in an underground Syrian hospital  

17/09/2019 | Toronto 2019 | TIFF Docs

Review: 1982

Review: 1982

Lebanon’s Oualid Mouaness makes his debut with a stirring tribute to the innocence of a child who witnesses the Israeli invasion of Beirut in June 1982  

11/09/2019 | Toronto 2019 | Discovery

Review: Red Fields

Review: Red Fields

Israeli Keren Yedaya directs a musical against war and for national demilitarisation, based upon the controversial 1980s rock opera Mami  

11/09/2019 | Toronto 2019 | Contemporary World Cinema

Review: Zumiriki

Review: Zumiriki

VENICE 2019: Oskar Alegría’s second feature film is a cinematographic poem on human attempts to prevent the deterioration of memory  

10/09/2019 | Venice 2019 | Orizzonti

Review: Those That, at a Distance, Resemble Another

Review: Those That, at a Distance, Resemble Another

Argentine-British filmmaker Jessica Sarah Rinland makes her debut with a poetic essay on conservation and restoration processes carried out in museums  

06/09/2019 | Toronto 2019 | Wavelengths

Review: The Criminal Man

Review: The Criminal Man

VENICE 2019: The second feature by Georgian director Dmitry Mamuliya is a superb psychological thriller about the genesis of evil in the mind of a serial killer  

05/09/2019 | Venice 2019 | Orizzonti

Review: White on White

Review: White on White

VENICE 2019: Chilean-Spanish director Théo Court directs a superb neo-western, set in Tierra del Fuego, about the perversion and misuse of art to serve the indigenous genocide  

03/09/2019 | Venice 2019 | Orizzonti

Review: Tony Driver

Review: Tony Driver

VENICE 2019: Italy’s Ascanio Petrini premieres his debut feature, the lead character of which is a victim of the USA’s merciless immigration and deportation policies  

03/09/2019 | Venice 2019 | International Film Critics’ Week

Review: The Prince

Review: The Prince

VENICE 2019: Chile’s Sebastián Muñoz makes his debut with an erotic prison drama about the homosexual awakening of an inmate surrounded by extreme violence  

30/08/2019 | Venice 2019 | International Film Critics’ Week

Review: Jesus Shows You the Way to the Highway

Review: Jesus Shows You the Way to the Highway

Spain’s Miguel Llansó pays homage to the afrofuturism of Nollywood cinema with his extraordinary science-fiction satire on capitalism and the fear of artificial intelligence  

12/07/2019 | NIFFF 2019

page:   1  2  [3]  4  5  6  7  8  9 
(The article continues below - Commercial information)

Privacy Policy

Creative Europe MEDIA