Marta Bałaga 1100 articles available in total starting from 07/04/2017. Last article published on 19/06/2025. previous page: 1 2 3 ... 8 9 [10] 11 12 ... 108 109 110 next Interview: Rungano Nyoni, Susan Chardy • Director of and actress in On Becoming a Guinea Fowl“It’s about how difficult it is to speak up”CANNES 2024: The helmer and the star of this film, about a late uncle’s dark secrets coming to light, talk about being complicit in silence 21/05/2024 | Cannes 2024 | Un Certain RegardInterview: Saïd Hamich Benlarbi • Director of Across the Sea“I have lived through the experience of exile”CANNES 2024: In his new film, the French-Moroccan director salutes the dreamers and those who never truly feel at home 18/05/2024 | Cannes 2024 | Critics’ WeekInterview: Emmanuel Courcol • Director of The Marching Band“My main concern was making sure the audience doesn’t leave the cinema feeling desperate”CANNES 2024: The French director behind The Big Hit proves that music really brings people together – even long-lost siblings 18/05/2024 | Cannes 2024 | Cannes PremièreInterview: Nada Riyadh, Ayman El Amir • Directors of The Brink of Dreams“These girls challenge traditions”CANNES 2024: The Egyptian filmmakers follow an all-female street-theatre troupe that is, and always was, uncompromising 18/05/2024 | Cannes 2024 | Critics’ WeekInterview: Hala Elkoussy • Director of East of Noon“Art has to be pertinent”CANNES 2024: The visual artist-turned-director brings a satirical bite to the festival, as she shows generations that clash, hoping for a better life 17/05/2024 | Cannes 2024 | Directors’ FortnightReview: On Becoming a Guinea FowlCANNES 2024: Rungano Nyoni isn’t afraid to get her hands dirty – especially when digging up the past 17/05/2024 | Cannes 2024 | Un Certain RegardInterview: Konstantin Bojanov • Director of The Shameless“I am not interested in myself; I am interested in other people’s stories”CANNES 2024: The Bulgarian director takes on real-life traditions and ends up with a fable 16/05/2024 | Cannes 2024 | Un Certain RegardReview: The Girl with the NeedleCANNES 2024: Magnus von Horn’s macabre fairy tale for grown-ups is too pretty for its own good 16/05/2024 | Cannes 2024 | CompetitionReview: Kyuka – Before Summer’s EndCANNES 2024: For such a sun-soaked story, Kostis Charamountanis’s film is surprisingly dark 15/05/2024 | Cannes 2024 | ACIDInterview: Tibor Keser • Producer, KOMPOT“Being a producer is not a job; it’s a calling”According to the Croatian producer, the boundaries between documentary and fiction are finally starting to blur 14/05/2024 | Producers on the Move 2024 previous page: 1 2 3 ... 8 9 [10] 11 12 ... 108 109 110 next