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Veronica Orciari

107 articles available in total starting from 14/01/2025. Last article published on 09/09/2025.

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Review: The Swan Song of Fedor Ozerov

Review: The Swan Song of Fedor Ozerov

BERLINALE 2025: Yuri Semashko’s feature debut is an intriguing blend of diverse influences that come together seamlessly, making this micro-budget film particularly memorable  

18/02 | Berlinale 2025 | Forum

Review: The Blue Trail

Review: The Blue Trail

BERLINALE 2025: Gabriel Mascaro’s film is an explosive combination of a powerful leading character, stunning scenery, sharp humour and mystical rituals  

16/02 | Berlinale 2025 | Competition

At the EFM, Publikum discusses the usage of anthropology-based AI to enhance audience strategies

At the EFM, Publikum discusses the usage of anthropology-based AI to enhance audience strategies

BERLINALE 2025: The Danish consultancy firm's Rikke Flodin and Lars Tversted presented their new tools, showing how they can help creatives develop successful projects  

16/02 | Berlinale 2025 | EFM

The European Audiovisual Observatory finds that 20% of films perform better on SVoD than in cinemas

The European Audiovisual Observatory finds that 20% of films perform better on SVoD than in cinemas

According to “The Impact of Cinema Admissions on SVoD Usage” report, strong ticket sales don’t always translate into impressive performance on streaming platforms  

15/02 | Industry | Market | Europe

Robin Coops • Director of One Charming Night

Interview: Robin Coops • Director of One Charming Night

“Filmmaking is thinking through images; it doesn’t matter if you use a big camera, an iPhone or a virtual camera to create your work”

The winner of the Eurimages New Lab: Innovation Award tells us more about his exploration of consent, privacy and intimacy in the digital sphere  

12/02 | IFFR 2025 | IFFR Pro

Film Constellation brings a rich slate of films to the EFM, spearheaded by Fernando Eimbcke’s Olmo

Film Constellation brings a rich slate of films to the EFM, spearheaded by Fernando Eimbcke’s Olmo

The sales agent headquartered in London and Paris is also repping Alejandro Amenábar’s new epic The Captive, among other titles  

12/02 | Berlinale 2025 | EFM

REPORT: Darkroom @ IFFR 2025

REPORT: Darkroom @ IFFR 2025

We take a closer look at five of the 12 projects presented at the Rotterdam-based market, which unspooled from 2-5 February  

12/02 | IFFR 2025 | IFFR Pro

Ignasi Camós • Director general, ICAA

Interview: Ignasi Camós • Director general, ICAA

“One of our main focuses is to strengthen the presence of our films at international festivals and markets”

The director general of the Spanish institution shares insights into its activities and Spain's participation as the guest country at the European Film Market  

11/02 | Berlinale 2025 | EFM

Vincenzo Bugno • Head, World Cinema Fund

Interview: Vincenzo Bugno • Head, World Cinema Fund

“Right now, our priority is to reaffirm our existence”

BERLINALE 2025: We talked to the head of the World Cinema Fund about its work, its goals and the upcoming Berlinale  

11/02 | Berlinale 2025

Review: The Rhine Gold

Review: The Rhine Gold

Lorenzo Pullega's debut feature is a dream-like ode to rural Italy, boasting great visuals but lacking cohesion  

10/02 | IFFR 2025 | Big Screen Competition

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