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Marta Bałaga

1100 articles available in total starting from 07/04/2017. Last article published on 19/06/2025.

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Katharina Wyss • Director

Interview: Katharina Wyss • Director

“Sometimes you shouldn’t do what you’re told”

VENICE 2017: Debuting director Katharina Wyss, whose Sarah Plays a Werewolf has been shown in the International Critics’ Week, explains why she was afraid of understanding her protagonist  

06/09/2017

Robert Guédiguian • Director

Interview: Robert Guédiguian • Director

“My films reflect where I am”

VENICE 2017: Robert Guédiguian comes back to the Venice Film Festival with The House by the Sea, but not on his own; he tells Cineuropa why he keeps working with the same people  

06/09/2017

My Generation: The good ol’ days

My Generation: The good ol’ days

VENICE 2017: David Batty enlists the help of Sir Michael Caine (and some other extremely chatty living legends) and tries to capture the everlasting appeal of the swinging sixties  

05/09/2017 | Venice 2017 | Out of competition

Tzahi Grad • Director

Interview: Tzahi Grad • Director

“We have to start talking”

VENICE 2017: Cineuropa talked to Israel’s Tzahi Grad, whose third feature, The Cousin, premiered in the Orizzonti section of the Venice Film Festival  

05/09/2017

The Cousin: Love thy neighbour

The Cousin: Love thy neighbour

VENICE 2017: Written and directed by Israeli actor Tzahi Grad, the film tackles the never-ending conflict that literally reaches one’s doorstep  

05/09/2017 | Venice 2017 | Orizzonti

The House by the Sea: Accepting past regrets

The House by the Sea: Accepting past regrets

VENICE 2017: In his new movie, presented in Venice’s main competition, Robert Guédiguian looks back in time, surrounded by some of his favourite people  

03/09/2017 | Venice 2017 | Competition

Sarah Plays a Werewolf: What it feels like for a girl

Sarah Plays a Werewolf: What it feels like for a girl

VENICE 2017: In her first feature, shown in the International Critics’ Week, Katharina Wyss proves that all these pop songs were right after all: there is nothing quite as hard as being a teenage girl  

03/09/2017 | Venice 2017 | International Critics’ Week

Oblivion Verses: Remembrance of things past

Oblivion Verses: Remembrance of things past

VENICE 2017: In his first feature, selected for Venice's Orizzonti, Iranian director Alireza Khatami proves that there is life to magic realism that extends far beyond Latin America  

03/09/2017 | Venice 2017 | Orizzonti

La Mélodie: Music for the masses

La Mélodie: Music for the masses

VENICE 2017: Kad Merad goes full Michelle Pfeiffer in Rachid Hami’s crowd-pleaser, which owes a huge debt to Dangerous Minds, with an added helping of string instruments  

02/09/2017 | Venice 2017 | Out of competition

Susanna Nicchiarelli • Director

Interview: Susanna Nicchiarelli • Director

“Sometimes you don’t have to tell the whole story”

VENICE 2017: Cineuropa talked to Italian director Susanna Nicchiarelli, whose latest film, Nico, 1988, has won the Orizzonti Award for Best Film of the Venice Film Festival  

01/09/2017

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