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Veronica Orciari

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122 articles available in total starting from 14/01/2025. Last article published on 26/11/2025.

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Martina Priessner • Director of The Moelln Letters

Interview: Martina Priessner • Director of The Moelln Letters

“Working with these historical documents felt so special”

BERLINALE 2025: The German documentarian spoke about her work, which revisits many painful memories from German history and the tragic events of 1992  

22/02 | Berlinale 2025 | Panorama

Series review: Other People's Money

Series review: Other People's Money

BERLINALE 2025: Creator Jan Schomburg’s series, loosely based on a real political and economic scandal, grips the audience thanks to its refined visuals and solid story  

21/02 | Berlinale 2025 | Panorama

Review: Delicious

Review: Delicious

BERLINALE 2025: Nele Mueller-Stöfen’s film is an unsettling thriller with a social bent, which doesn't fully succeed in shocking its audience  

20/02 | Berlinale 2025 | Panorama

Yuri Semashko • Director of The Swan Song of Fedor Ozerov

Interview: Yuri Semashko • Director of The Swan Song of Fedor Ozerov

“Writing a film is like being a gold miner. You work hard everyday, but when you finally find the gem you’ve been searching for so long, it feels like enlightenment”

BERLINALE 2025: The Belarusian director told us about the musical, personal and artistic inspirations behind his feature debut  

18/02 | Berlinale 2025 | Forum

At the EFM, Ecoprod and Eurimages unveil Step Up, a sustainability toolkit and e-learning platform

At the EFM, Ecoprod and Eurimages unveil Step Up, a sustainability toolkit and e-learning platform

BERLINALE 2025: The new tool aims to be a hub for knowledge and experience sharing, representing a significant step towards specialised training for European audiovisual professionals  

18/02 | Berlinale 2025 | EFM

Review: The Swan Song of Fedor Ozerov

Review: The Swan Song of Fedor Ozerov

BERLINALE 2025: Yuri Semashko’s feature debut is an intriguing blend of diverse influences that come together seamlessly, making this micro-budget film particularly memorable  

18/02 | Berlinale 2025 | Forum

Review: The Blue Trail

Review: The Blue Trail

BERLINALE 2025: Gabriel Mascaro’s film is an explosive combination of a powerful leading character, stunning scenery, sharp humour and mystical rituals  

16/02 | Berlinale 2025 | Competition

At the EFM, Publikum discusses the usage of anthropology-based AI to enhance audience strategies

At the EFM, Publikum discusses the usage of anthropology-based AI to enhance audience strategies

BERLINALE 2025: The Danish consultancy firm's Rikke Flodin and Lars Tversted presented their new tools, showing how they can help creatives develop successful projects  

16/02 | Berlinale 2025 | EFM

The European Audiovisual Observatory finds that 20% of films perform better on SVoD than in cinemas

The European Audiovisual Observatory finds that 20% of films perform better on SVoD than in cinemas

According to “The Impact of Cinema Admissions on SVoD Usage” report, strong ticket sales don’t always translate into impressive performance on streaming platforms  

15/02 | Industry | Market | Europe

Robin Coops • Director of One Charming Night

Interview: Robin Coops • Director of One Charming Night

“Filmmaking is thinking through images; it doesn’t matter if you use a big camera, an iPhone or a virtual camera to create your work”

The winner of the Eurimages New Lab: Innovation Award tells us more about his exploration of consent, privacy and intimacy in the digital sphere  

12/02 | IFFR 2025 | IFFR Pro

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