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Marta Bałaga

1112 articles available in total starting from 07/04/2017. Last article published on 08/09/2025.

page:   1  2  3 ... 108  109  [110]  111  112 
David Batty • Director

Interview: David Batty • Director

“I wanted people to experience the sixties”

VENICE 2017: Cineuropa spoke to David Batty, who presented My Generation out of competition at the Venice Film Festival – with the help of one Michael Caine  

07/09/2017

Damien Manivel, Kohei Igarashi • Directors

Interview: Damien Manivel, Kohei Igarashi • Directors

“We tried to take our time to bring the emotion to the audience”

VENICE 2017: Cineuropa talked to Damien Manivel and Kohei Igarashi, the directors of The Night I Swam, which was presented in the Orizzonti section at Venice  

07/09/2017

Katharina Wyss • Director

Interview: Katharina Wyss • Director

“Sometimes you shouldn’t do what you’re told”

VENICE 2017: Debuting director Katharina Wyss, whose Sarah Plays a Werewolf has been shown in the International Critics’ Week, explains why she was afraid of understanding her protagonist  

06/09/2017

Robert Guédiguian • Director

Interview: Robert Guédiguian • Director

“My films reflect where I am”

VENICE 2017: Robert Guédiguian comes back to the Venice Film Festival with The House by the Sea, but not on his own; he tells Cineuropa why he keeps working with the same people  

06/09/2017

My Generation: The good ol’ days

My Generation: The good ol’ days

VENICE 2017: David Batty enlists the help of Sir Michael Caine (and some other extremely chatty living legends) and tries to capture the everlasting appeal of the swinging sixties  

05/09/2017 | Venice 2017 | Out of competition

Tzahi Grad • Director

Interview: Tzahi Grad • Director

“We have to start talking”

VENICE 2017: Cineuropa talked to Israel’s Tzahi Grad, whose third feature, The Cousin, premiered in the Orizzonti section of the Venice Film Festival  

05/09/2017

The Cousin: Love thy neighbour

The Cousin: Love thy neighbour

VENICE 2017: Written and directed by Israeli actor Tzahi Grad, the film tackles the never-ending conflict that literally reaches one’s doorstep  

05/09/2017 | Venice 2017 | Orizzonti

The House by the Sea: Accepting past regrets

The House by the Sea: Accepting past regrets

VENICE 2017: In his new movie, presented in Venice’s main competition, Robert Guédiguian looks back in time, surrounded by some of his favourite people  

03/09/2017 | Venice 2017 | Competition

Sarah Plays a Werewolf: What it feels like for a girl

Sarah Plays a Werewolf: What it feels like for a girl

VENICE 2017: In her first feature, shown in the International Critics’ Week, Katharina Wyss proves that all these pop songs were right after all: there is nothing quite as hard as being a teenage girl  

03/09/2017 | Venice 2017 | International Critics’ Week

Oblivion Verses: Remembrance of things past

Oblivion Verses: Remembrance of things past

VENICE 2017: In his first feature, selected for Venice's Orizzonti, Iranian director Alireza Khatami proves that there is life to magic realism that extends far beyond Latin America  

03/09/2017 | Venice 2017 | Orizzonti

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