email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Giorgia Del Don


442 articles available in total starting from 12/03/2014. Last article published on 13/06/2025.

Simon Rieth’s Summer Scars scoops the Narcisse for Best Film at this year’s NIFFF

Simon Rieth’s Summer Scars scoops the Narcisse for Best Film at this year’s NIFFF

Presided over by the immense Joyce Carol Oates, the International Competition jury were spellbound by this “remarkably original [film] exploring an intimate bond between brothers”  

11/07/2022 | NIFFF 2022 | Awards

The 75th edition of the Locarno Film Festival presents itself as “a new beginning”

The 75th edition of the Locarno Film Festival presents itself as “a new beginning”

Two debut films and a large number of European features by young directors and well-known names will be vying for the Golden Leopard at the 75th Locarno Film Festival  

06/07/2022 | Locarno 2022 | Competition/Out of Competition

Review: Family Dinner

Review: Family Dinner

Austrian director Peter Hengl's feature-film debut flirts with horror by telling the story of a family dinner that turns into a ritual banquet  

04/07/2022 | NIFFF 2022

NIFFF unveils the programme for its exciting 21st edition

NIFFF unveils the programme for its exciting 21st edition

For his first edition as festival director, Pierre-Yves Walder has concocted a line-up which stays true to the audacious nature of the event  

22/06/2022 | NIFFF 2022

Jan Gassmann • Director of 99 Moons

Interview: Jan Gassmann • Director of 99 Moons

“My movies are never far away from me; I need to live what I’m writing”

CANNES 2022: We talked to the Swiss director, whose latest feature tells the story of two very different people who are unable to live apart  

21/05/2022 | Cannes 2022 | ACID

Review: 99 Moons

Review: 99 Moons

CANNES 2022: Jan Gassmann’s movie is a story in chapters about love which transforms into pure obsession and challenges the traditional concept of the heterosexual couple  

20/05/2022 | Cannes 2022 | ACID

Review: Supertempo

Review: Supertempo

Daniel Kemény’s second feature film opens a window onto the private life of a couple who are forced by the pandemic into a shared daily existence which grows increasingly suffocating and alienating  

22/04/2022 | Visions du Réel 2022 | National Competition

Review: Leading Lights

Review: Leading Lights

With patience and a sense of poetry, Lydie Wisshaupt-Claudel follows the daily lives of two unusual teachers contending with stressed and traumatised children who are struggling to exist  

20/04/2022 | Visions du Réel 2022 | Competition

Like an Island is the great winner of Visions du Réel

Like an Island is the great winner of Visions du Réel

Two first features, that of Swiss filmmaker Tizian Büchu and A Long Journey Home by Chinese director Wenqian Zhang, win the main awards of this edition  

19/04/2022 | Visions du Réel 2022 | Awards

Review: Getting Old Stinks

Review: Getting Old Stinks

Peter Entell recounts the daily life of an elderly man – his father – who found himself raising his four children alone  

14/04/2022 | Visions du Réel 2022 | Burning Lights Competition

Privacy Policy