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Davide Abbatescianni

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2554 articles available in total starting from 12/09/2017. Last article published on 25/09/2026.

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During Venice’s VoD Market Day, Guy Bisson discloses the major streaming trends of the last 18 months

During Venice’s VoD Market Day, Guy Bisson discloses the major streaming trends of the last 18 months

VENICE 2022: The expert highlighted how AVoD and FAST are “a big thing now”, and how streamers are shifting their business model from customer acquisition to customer retention  

13/09/2022 | Venice 2022 | Venice Production Bridge

The New Dawn fund announces first six backed projects, welcomes support from Telefilm Canada

The New Dawn fund announces first six backed projects, welcomes support from Telefilm Canada

Four fiction projects will receive up to €200,000, whilst the remaining documentaries will get up to €100,000  

12/09/2022 | Production | Funding | Europe/Canada

The 79th Venice Film Festival announces the winners of its parallel awards

The 79th Venice Film Festival announces the winners of its parallel awards

Santiago Mitre’s Argentina, 1985 and Makbul Mubarak’s Autobiography have scooped the two FIPRESCI Prizes, whilst Alex Schaad’s Skin Deep won the prestigious Queer Lion  

10/09/2022 | Venice 2022 | Awards

Review: The Hanging Sun

Review: The Hanging Sun

VENICE 2022: Francesco Carrozzini’s debut film wins over audiences with its well-measured tension and great cast, even if some twists are somewhat predictable  

10/09/2022 | Venice 2022 | Out of Competition

Susanna Nicchiarelli • Director of Chiara

Interview: Susanna Nicchiarelli • Director of Chiara

“There was something about this medieval tale, with its fears, illnesses and isolation, that seemed to speak to the modern-day”

VENICE 2022: The Italian director chatted with us about her casting choices, her work on the vernacular within the film and her sources of inspiration  

10/09/2022 | Venice 2022 | Competition

Review: Chiara

Review: Chiara

VENICE 2022: Susanna Nicchiarelli paints a credible portrait of a revolutionary saint, as a girl and a woman, which is free from rhetorical trappings  

09/09/2022 | Venice 2022 | Competition

David Wagner's Eismayer wins the Grand Prize of the International Critics' Week

David Wagner's Eismayer wins the Grand Prize of the International Critics' Week

VENICE 2022: This year's two other great winners are Anhell69 by Theo Montoya and Margins by Niccolò Falsetti, the only Italian title in competition  

09/09/2022 | Venice 2022 | International Film Critics' Week/Awards

Final Cut announces this year’s winners

Final Cut announces this year’s winners

VENICE 2022: The aim of the initiative, which has just wrapped its 10th edition, is to support films in post-production hailing from Africa, Jordan, Iraq, Lebanon, Palestine and Syria  

09/09/2022 | Venice 2022 | Venice Production Bridge

Review: Call of God

Review: Call of God

VENICE 2022: South Korean master Kim Ki-duk’s posthumous film possesses some great pathos, but its potential is undermined by its visual patchiness and nebulous writing  

09/09/2022 | Venice 2022 | Out of Competition

Review: Ghost Night

Review: Ghost Night

VENICE 2022: Fulvio Risuleo makes an excellent dramedy and buddy movie with a sparkling rhythm, supported by the performances of the two leads, Edoardo Pesce and newcomer Yothin Clavenzani  

08/09/2022 | Venice 2022 | Orizzonti Extra

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