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Fabien Lemercier

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9826 articles available in total starting from 02/07/2002. Last article published on 17/11/2025.

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The Sitting Duck turns out to be a trump card for The Bureau Sales

The Sitting Duck turns out to be a trump card for The Bureau Sales

Jean-Paul Salomé’s new film led by Isabelle Huppert is attracting buyers’ interest  

17/02/2022 | Production | Funding | France/Germany

Review: About Joan

Review: About Joan

BERLINALE 2022: Isabelle Huppert navigates the mysteries of romantic memory, which are woven into muddled layers by Laurent Larivière  

16/02/2022 | Berlinale 2022 | Berlinale Special

French sales agents whip out new aces at the EFM

French sales agents whip out new aces at the EFM

BERLINALE 2022: Coproduction Office is selling Jessica Hausner’s new project starring Mia Wasikowska, while Pathé International is touting Matteo Garrone’s latest opus, to give just two examples  

15/02/2022 | Berlinale 2022 | EFM

Review: Small, Slow but Steady

Review: Small, Slow but Steady

BERLINALE 2022: In co-production with France, Japan’s Shô Miyake carves out a seemingly modest yet subtle and masterful movie about a young, deaf female boxer with a big heart  

14/02/2022 | Berlinale 2022 | Encounters

Review: The Passengers of the Night

Review: The Passengers of the Night

BERLINALE 2022: Mikhaël Hers further refines his airy, delicate and sensitive style with a magnificent existentialist film about a few years in the life of a small Parisian family in the 1980s  

13/02/2022 | Berlinale 2022 | Competition

Review: Coma

Review: Coma

BERLINALE 2022: Bertrand Bonello offers up a spellbinding experimental film, a handcrafted work of creative genius made very freely, during a time of lockdowns and of mental escape into the depths  

12/02/2022 | Berlinale 2022 | Encounters

Review: A Flower in the Mouth

Review: A Flower in the Mouth

BERLINALE 2022: Éric Baudelaire adapts Pirandello in a very singular fashion in a strange and intelligent film that doesn’t look like any other and dominated by the captivating Oxmo Puccino  

12/02/2022 | Berlinale 2022 | Forum

Review: The Line

Review: The Line

BERLINALE 2022: Ursula Meier subtly explores a tumultuous world of intense and contradictory emotions in a film which dazzles for its female cast, led by acting revelation Stéphanie Blanchoud  

11/02/2022 | Berlinale 2022 | Competition

Thierry Demaizière and Alban Teurlai • Directors of Rookies

Interview: Thierry Demaizière and Alban Teurlai • Directors of Rookies

"The project is about looking for children who are failing academically in tricky neighbourhoods and bringing them together through hip-hop"

BERLINALE 2022: The French documentary makers lift the veil on an extraordinary educative mission attempting to break the spiral of social determinism  

11/02/2022 | Berlinale 2022 | Panorama

Alain Guiraudie • Director of Nobody’s Hero

Interview: Alain Guiraudie • Director of Nobody’s Hero

"The film plays with cliches a lot"

BERLINALE 2022: Terrorist attacks, collective paranoia, the French province torn between the past and the present: the French filmmaker tells us about his film, which opened the Panorama section  

11/02/2022 | Berlinale 2022 | Panorama

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