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Susanne Gottlieb

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179 articles available in total starting from 03/07/2018. Last article published on 30/10/2025.

Review: Europe

Review: Europe

BERLINALE 2022: In his fiction debut, Philip Scheffner recounts the story of a forced uprooting by playing with negative space  

22/02/2022 | Berlinale 2022 | Forum

Review: Jet Lag

Review: Jet Lag

BERLINALE 2022: In her hybrid documentary-video essay, Zhen Lu Xinyuan searches for parallels between her COVID-19 isolation and her family’s tracing of their roots  

21/02/2022 | Berlinale 2022 | Forum

Review: 1341 Frames of Love and War

Review: 1341 Frames of Love and War

BERLINALE 2022: Director Ran Tal takes a look back at war photographer Micha Bar-Am’s life in an engaging photo montage  

18/02/2022 | Berlinale 2022 | Berlinale Special

Review: Rewind & Play

Review: Rewind & Play

BERLINALE 2022: Alain Gomis travels to 1969 to present revolting unaired French footage of an interview with jazz musician Thelonious Monk  

17/02/2022 | Berlinale 2022 | Forum

Review: American Journal

Review: American Journal

BERLINALE 2022: In his video essay composed of historic amateur footage, director Arnaud des Pallières once again dives into the myth of America  

17/02/2022 | Berlinale 2022 | Encounters

Review: A German Party

Review: A German Party

BERLINALE 2022: Simon Brückner’s documentary follows the controversial German right-wing party AfD, showcasing the anti-democratic tendencies in a group declaring itself “for and by the people”  

17/02/2022 | Berlinale 2022 | Berlinale Special

Review: Axiom

Review: Axiom

BERLINALE 2022: In Jöns Jönsson’s film, a young man keeps inventing fantastical stories about his life, until the lies one day threaten to catch up with him  

16/02/2022 | Berlinale 2022 | Encounters

Review: The Death of My Mother

Review: The Death of My Mother

BERLINALE 2022: Jessica Krummacher observes the last days of a mother-daughter relationship  

14/02/2022 | Berlinale 2022 | Encounters

Review: Grand Jeté

Review: Grand Jeté

BERLINALE 2022: An incestuous liaison between an estranged mother and her son duo lets Isabelle Stever reflect on body obsession and breaking taboos as a means of utilising one’s own physicality  

14/02/2022 | Berlinale 2022 | Panorama

Review: For the Many

Review: For the Many

BERLINALE 2022: Constantin Wulff's empathic documentary on the Chamber of Labour in Austria showcases the accomplishments of the worker’s movement in the face of exploitations in the labour market  

13/02/2022 | Berlinale 2022 | Forum

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