email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Fabien Lemercier

(The article continues below - Commercial information)
insularia_Josué

10157 articles available in total starting from 02/07/2002. Last article published on 29/09/2026.

The Visitor scoops the Next Step Award at Cannes

The Visitor scoops the Next Step Award at Cannes

CANNES 2022: The project by Lithuania’s Vytautas Katkus has taken home the award handed out by the Critics’ Week to accompany talents as they make the leap from short to feature films  

23/05/2022 | Cannes 2022 | Critics’ Week/Awards

Review: The Five Devils

Review: The Five Devils

CANNES 2022: Witchcraft plays a bad trick on Léa Mysius with her overly ambitious film, which puzzles audiences despite its good qualities  

23/05/2022 | Cannes 2022 | Directors' Fortnight

Review: Magdala

Review: Magdala

CANNES 2022: By magnifying the extraordinary expressive talents of Elsa Wolliaston, Damien Manivel offers a mystic and sensorial cinematic experience that is both radical and nourishing  

23/05/2022 | Cannes 2022 | ACID

Review: Don Juan

Review: Don Juan

CANNES 2022: Serge Bozon offers up a clever, episodic work in the form of a double-bottomed inversion of the legend of Don Juan, played by Tahar Rahim who’s made vulnerable by a many-faced...  

22/05/2022 | Cannes 2022 | Cannes Première

Review: Forever Young

Review: Forever Young

CANNES 2022: Valeria Bruni-Tedeschi delivers a beautifully mature work, diving back into the vibrant and initiatory, young universe of student-actors at Patrice Chéreau’s Théâtre des Amandiers  

22/05/2022 | Cannes 2022 | Competition

Dominik Moll • Director of The Night of the 12th

Interview: Dominik Moll • Director of The Night of the 12th

"The main character needed to question his own attitude, as a man, towards women"

CANNES 2022: The French-German filmmaker’s new movie is an ensemble police investigation reflecting a frayed society and broken male-female relationships  

22/05/2022 | Cannes 2022 | Cannes Première

Review: The Worst Ones

Review: The Worst Ones

CANNES 2022: A very successful first feature for Lise Akoka and Romane Gueret who, with great heart, truth and skill, bring inner-city kids through the looking glass  

22/05/2022 | Cannes 2022 | Un Certain Regard

Review: R.M.N.

Review: R.M.N.

CANNES 2022: Cristian Mungiu crafts a masterful film, delving to the heart of a tiny Transylvanian village that reflects modern-day evils, and decisions taken on an individual and European level  

22/05/2022 | Cannes 2022 | Competition

Review: Summer Scars

Review: Summer Scars

CANNES 2022: Simon Rieth sets himself apart with a brilliantly directed first feature, blending realism and fantasy to tell a story about two young brothers bound together by an extraordinary secret  

22/05/2022 | Cannes 2022 | Critics’ Week

Review: Continental Drift (South)

Review: Continental Drift (South)

CANNES 2022: Cheerfully blending comedy, political management of migrants and ties to be reforged between a mother and son, Lionel Baier continues his tetralogy on the building of Europe  

22/05/2022 | Cannes 2022 | Directors’ Fortnight

(The article continues below - Commercial information)

Privacy Policy