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Fabien Lemercier

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9872 articles available in total starting from 02/07/2002. Last article published on 16/01/2026.

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Review: Bruno Reidal, Confessions of a Murderer

Review: Bruno Reidal, Confessions of a Murderer

CANNES 2021: Vincent Le Port makes a spectacular entry into the world of feature filmmaking with a dark and clinical film heir to Bresson and Haneke, about a criminal destiny  

11/07/2021 | Cannes 2021 | Critics’ Week

Samuel Theis • Director of Softie

Interview: Samuel Theis • Director of Softie

“This film is a child’s portrait, but most of all it is about the question of defecting from one’s class”

CANNES 2021: The French filmmaker discusses his second feature, a very endearing, simple and subtle work presented in Critics’ Week  

11/07/2021 | Cannes 2021 | Critics' Week

Review: Zero Fucks Given

Review: Zero Fucks Given

CANNES 2021: Adèle Exarchopoulos dazzles as an air hostess working for a low budget airline in an original first feature film full of contrasts by Julie Lecoustre and Emmanuel Marre  

11/07/2021 | Cannes 2021 | Critics’ Week

Review: Returning to Reims (Fragments)

Review: Returning to Reims (Fragments)

CANNES 2021: A true silversmith of the archives, Jean-Gabriel Périot dissects the intimate and political history of the French working class by adapting a Didier Eribon essay  

11/07/2021 | Cannes 2021 | Directors’ Fortnight

Laura Wandel • Director of Playground

Interview: Laura Wandel • Director of Playground

"I thought it would be interesting to take the viewpoint of the witness who feels torn"

CANNES 2021: The Belgian filmmaker explains the immersive approach characterising her remarkable and incredibly intense first feature film, which was presented in the Un Certain Regard section  

11/07/2021 | Cannes 2021 | Un Certain Regard

Catherine Corsini • Director of The Divide

Interview: Catherine Corsini • Director of The Divide

“To consider oneself, to consider others and have some hope in the fact that people can talk to each other”

CANNES 2021: The French filmmaker discusses her at once funny and dramatic film unveiled in competition, which through fiction delves into a very agitated night at the hospital  

11/07/2021 | Cannes 2021 | Competition

Review: Anaïs in Love

Review: Anaïs in Love

CANNES 2021: Charline Bourgeois-Tacquet delivers a fast-paced, existentialist comedy of manners which is refreshing, entertaining and skilfully subdued  

11/07/2021 | Cannes 2021 | Critics’ Week

Review: Good Mother

Review: Good Mother

CANNES 2021: With her second feature as director, Hafsia Herzi perfects her neorealist approach in the vibrant and chaotic heart of a poor Marseille family supported by the pillar of maternal love  

11/07/2021 | Cannes 2021 | Un Certain Regard

Review: The Divide

Review: The Divide

CANNES 2021: Over one very agitated night at the hospital, Catherine Corsini intersects, with a good balance between comedy and drama, several hot social issues that are dividing France  

10/07/2021 | Cannes 2021 | Competition

Review: Magnetic Beats

Review: Magnetic Beats

CANNES 2021: A creative mix of genres, set at the time of independent radio stations, Vincent Maël Cardona’s first feature depicts the youthful passion of two united but highly dissimilar brothers  

10/07/2021 | Cannes 2021 | Directors’ Fortnight

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