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Ana Stanic

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362 articles available in total starting from 29/02/2020. Last article published on 01/09/2026.

Michele Fiascaris • Director of Rain Catcher

Interview: Michele Fiascaris • Director of Rain Catcher

"We created this character by trying to think and act like him, and that got us into trouble"

The British filmmaker shared the references that shaped the film's visual style and philosophical underpinnings and reflected on discovering his protagonist through the writing process  

14/07 | Karlovy Vary 2026 | Proxima

Ivan Ostrochovský • Director of Only Beautiful Things to Look At

Interview: Ivan Ostrochovský • Director of Only Beautiful Things to Look At

"The topic of forced sterilisation is universal, not only a phenomenon of socialist times"

The Slovak director talks about his film, which revisits one of the darkest chapters of Czechoslovakia's history, the state's policy of forced sterilisation of Romani women  

14/07 | Karlovy Vary 2026 | Competition

Miroslav Terzić • Director of 3 Weeks After

Interview: Miroslav Terzić • Director of 3 Weeks After

"This film provokes the audience to ask themselves: ‘What would I do in this situation?'"

The Serbian director speaks about the film's casting and working with an entire classroom of young actors, as well as using horror as a storytelling tool  

10/07 | Karlovy Vary 2026 | Competition

Kristina Grozeva, Petar Valchanov • Directors of Black Money for White Nights

Interview: Kristina Grozeva, Petar Valchanov • Directors of Black Money for White Nights

"Our characters are very confused people, living half of their lives under communism and the other half in and after the transition"

The duo speaks about portraying a generation that has lived through two opposing political systems and exploring the many shades of corruption and moral compromise  

10/07 | Karlovy Vary 2026 | Competition

Mads Mengel • Director of The Guest

Interview: Mads Mengel • Director of The Guest

"I wanted nuance in every character, everyone to be right and everyone to be wrong at some point"

The Danish director speaks about developing complex characters with the actors, portraying mental illness without easy answers, or even the proper vocabulary to talk about it  

10/07 | Karlovy Vary 2026 | Competition

Participants and mentors, ReActing As a Star

Interview: Participants and mentors, ReActing As a Star

"Nothing can be taken for granted in this business, we need to understand the pressure young actors are under and approach them with empathy"

A diverse group of regional talents and international guests gathered at the event explore what it takes to build a sustainable acting career today  

18/06 | /Slovenia

ReActing as a Star unspools its fifth edition

ReActing as a Star unspools its fifth edition

The event attended by actors, casting directors, talent agents and filmmakers continues to strengthen regional ties and open new international pathways  

16/06 | Industry | Market | Slovenia

Linda Mutawi • Producer, Fikra

Interview: Linda Mutawi • Producer, Fikra

"It’s everybody’s responsibility to grow the industry, and keep it evolving, moving and representing what we stand for in the world"

CANNES 2026: The producer reflected on the rapidly changing landscape of independent production and the growing funding challenges facing European cinema today  

27/05 | Indie Producer Focus

Viesturs Kairišs • Director of Ulya

Interview: Viesturs Kairišs • Director of Ulya

"Everyone has an inner freak, and the film tries to understand how to let that inner freak live"

CANNES 2026: The Latvian filmmaker talks about his biopic of basketball icon Uļjana Semjonova, both an intimate coming-of-age story and a poetic journey through identity and difference  

26/05 | Cannes 2026 | Un Certain Regard

María Martínez Bayona • Director of The End of It

Interview: María Martínez Bayona • Director of The End of It

"If you are immortal, what can you be beyond immortal?"

CANNES 2026: The Spanish director reflects on mortality and the strange emptiness of a society where people can live forever but no longer know what it means to truly feel alive  

25/05 | Cannes 2026 | Cannes Première

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