Veronica Orciari (The article continues below - Commercial information) 122 articles available in total starting from 14/01/2025. Last article published on 26/11/2025. previous page: 1 [2] 3 4 5 6 7 8 ... 11 12 13 next Review: Black Is Beautiful: The Kwame Brathwaite StoryYemi Bamiro’s doc explores the life of the titular pioneering photographer and activist, celebrating his groundbreaking work and lasting impact on black culture 20/10 | London 2025Review: H Is for HawkPhilippa Lowthorpe’s Cambridge-set film, based on Helen Macdonald’s autobiography, features a character navigating a devastating loss and finding solace in a goshawk 17/10 | London 2025Review: The ChoralNicholas Hytner’s feature stars Ralph Fiennes as a choir leader, blending music and ensemble storytelling in World War I-era Britain 15/10 | London 2025Interview: José Alayón • Director of Dance of the Living“In Canarian wrestling, I saw a metaphor for life, resilience and the personal conflicts we all live through”The director talks about the origins, challenges and metaphors of his second feature, built around the traditional sport of the Canary Islands 26/09 | San Sebastián 2025 | New DirectorsReview: WeightlessEmilie Thalund’s debut feature shines a light on self-acceptance, friendship, desire and growing up, as it follows a teenager at a health camp 24/09 | San Sebastián 2025 | New DirectorsReview: BabystarJoscha Bongard's bold debut explores social media's dark side through arthouse aesthetics and a disturbing family narrative 09/09 | Toronto 2025 | DiscoveryInterview: Ana Cristina Barragán • Director of The Ivy“Ivy is a plant that is beautiful but also toxic; that duality really interested me”VENICE 2025: The Ecuadorian director discusses the sensory approach, working with actors and the formal decisions behind her film 09/09 | Venice 2025 | OrizzontiReview: Grand CielVENICE 2025: Akihiro Hata’s debut feature delves into a dystopian construction site, blending social themes with an eerie atmosphere 05/09 | Venice 2025 | OrizzontiReview: The IvyVENICE 2025: Ana Cristina Barragán’s intimate portrait of healing is an emotionally raw story hinging on the relationship between a 30-year-old woman and a 17-year-old boy 03/09 | Venice 2025 | OrizzontiInterview: Mihai Mincan • Director of Milk Teeth“What I’ve tried to do is not make some kind of ‘autobiographical memory’ film, but rather convey a feeling of loneliness”VENICE 2025: The Romanian director talks about blending historical reality, childhood memories and the weight of silence 31/08 | Venice 2025 | Orizzonti previous page: 1 [2] 3 4 5 6 7 8 ... 11 12 13 next (The article continues below - Commercial information)