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Marta Bałaga

1112 articles available in total starting from 07/04/2017. Last article published on 08/09/2025.

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Elias Belkeddar • Director of The King of Algiers

Interview: Elias Belkeddar • Director of The King of Algiers

“The idea was to bring Kitano into the world of Italian neorealism”

CANNES 2023: The Franco-Algerian director proves that he loves his melancholic psychopaths, in this case played by Reda Kateb and Benoît Magimel  

26/05/2023 | Cannes 2023 | Midnight Screenings

Review: If Only I Could Hibernate

Review: If Only I Could Hibernate

CANNES 2023: Despite those harsh winters, Zoljargal Purevdash’s Mongolian take on Good Will Hunting is actually full of warmth  

25/05/2023 | Cannes 2023 | Un Certain Regard

Review: The King of Algiers

Review: The King of Algiers

CANNES 2023: Elias Belkeddar’s candidate for the weirdest movie at the festival is, ultimately, a really tender love story  

25/05/2023 | Cannes 2023 | Midnight Screenings

Faouzi Bensaïdi • Director of Deserts

Interview: Faouzi Bensaïdi • Director of Deserts

“This is a film against close-ups”

CANNES 2023: Wide open spaces are the clear protagonists in the Moroccan director's buddy movie-turned-love story  

23/05/2023 | Cannes 2023 | Directors’ Fortnight

Molly Manning Walker • Director of How to Have Sex

Interview: Molly Manning Walker • Director of How to Have Sex

“Every single woman has gone through something similar, and we just don’t talk about it”

CANNES 2023: Summer has never been more awkward, or felt more real, than in the British director’s film  

23/05/2023 | Cannes 2023 | Un Certain Regard

Review: Club Zero

Review: Club Zero

CANNES 2023: Jessica Hausner mocks and shocks in a satire that’s going to leave you starving  

23/05/2023 | Cannes 2023 | Competition

Review: Fallen Leaves

Review: Fallen Leaves

CANNES 2023: All it takes is a dog and some sad songs for Aki Kaurismäki to deliver the festival’s biggest crowdpleaser  

22/05/2023 | Cannes 2023 | Competition

Review: Firebrand

Review: Firebrand

CANNES 2023: Jude Law yells and Alicia Vikander silently plots in Karim Aïnouz’s elegant period drama, which fails to truly engage  

22/05/2023 | Cannes 2023 | Competition

Review: How to Have Sex

Review: How to Have Sex

CANNES 2023: Molly Manning Walker’s honest, sad, mascara-smudged film is bound to bring back some very uncomfortable memories  

20/05/2023 | Cannes 2023 | Un Certain Regard

Amanda Nell Eu • Director of Tiger Stripes

Interview: Amanda Nell Eu • Director of Tiger Stripes

“As women, we should be proud of our bodies”

CANNES 2023: The debuting director proves that every girl should show off her tiger stripes and strive to find joy again  

17/05/2023 | Cannes 2023 | Critics’ Week

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