email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Ana Stanić

(The article continues below - Commercial information)
cinemamed2025

301 articles available in total starting from 29/02/2020. Last article published on 26/11/2025.

Payal Kapadia  • Director of A Night of Knowing Nothing

Interview: Payal Kapadia • Director of A Night of Knowing Nothing

"Political change can not come without understanding the social reality"

CANNES 2022: The Indian filmmaker has received the 2022 Doc Alliance Prize for Best Feature for her “emotionally and artistically packed documentary full of love letters”, according to the jury  

03/06/2022 | Cannes 2022

Vytautas Katkus  • Director of The Visitor

Interview: Vytautas Katkus • Director of The Visitor

"The Next Step Workshop helped me from a very early development stage to understand in which direction I should go with my movie"

CANNES 2022: The Lithuanian filmmaker discusses his feature film project, for which he received the Next Step Award from the Critics' Week, as well as his short film Cherries  

03/06/2022 | Cannes 2022 | Critics' Week

Ali Cherri  • Director of The Dam

Interview: Ali Cherri • Director of The Dam

"The first thing that every system does is to occupy our imaginary"

CANNES 2022: The Lebanese-born, Paris-based filmmaker and artist discusses his film, which depicts how man's action and opression causes nature to respond  

03/06/2022 | Cannes 2022 | Directors' Fortnight

Agnieszka Smoczynska  • Director of The Silent Twins

Interview: Agnieszka Smoczynska • Director of The Silent Twins

"The most fascinating element in the book was the clash between the colorful imagination of the twins and the harsh reality"

CANNES 2022: After two successful films, the Polish filmmaker chose to adapt a book by British journalist Marjorie Wallace for her first English-language feature  

01/06/2022 | Cannes 2022 | Un Certain Regard

Mykko Myllylahti  • Director of The Woodcutter Story

Interview: Mykko Myllylahti • Director of The Woodcutter Story

"My character is the incarnation of optimism and hope despite having lost everything"

CANNES 2022: The Finnish filmmaker discusses the details of his story of snow, violence and happiness, which received the Gan Foundation Award for Distribution  

01/06/2022 | Cannes 2022 | Critics' Week

Lola Quivoron and Julie Ledru  • Director and actress of Rodéo

Interview: Lola Quivoron and Julie Ledru • Director and actress of Rodéo

"I love to observe a closed, codified masculine community, and to find out how to break that order"

CANNES 2022: The French director decyphers with the help of her main actress her female-driven feature debut, which puts masculinity on a target and received the “Coup de Cœur” Jury Prize  

31/05/2022 | Cannes 2022 | Un Certain Regard

Pietro Marcello • Director of Scarlet

Interview: Pietro Marcello • Director of Scarlet

"For me cinema is a family"

CANNES 2022: The Italian director discusses the cast and the challenges of making his first French-language film, as well as the topics it tackles, such as gender  

25/05/2022 | Cannes 2022 | Directors' Fortnight

Hubertus Siegert • Producer of A German Party

Interview: Hubertus Siegert • Producer of A German Party

"We wanted to show the rise of the far-right party in Germany as well its structure from bottom to top"

BERLINALE 2022: The documentary directed by Simon Brückner portrays the controversial German right-wing party AfD (Alternative für Deutschland)  

25/02/2022 | Berlinale 2022 | Berlinale Special

Alain Gomis • Director of Rewind & Play

Interview: Alain Gomis • Director of Rewind & Play

"The off-the-record footage of this concert shows much more than 'only' a genius"

BERLINALE 2022: The director delves into the archive footage of the visit of Thelonious Monk to Paris in 1969, turning them into an unexpected portrait of the jazz master  

24/02/2022 | Berlinale 2022 | Forum

Raul Domingues • Director of Striking Land

Interview: Raul Domingues • Director of Striking Land

"The changes happening within nature are more visible to those who work directly with the land"

BERLINALE 2022: The Portuguese director discusses his documentary, which places his grandmother, his neighbour and their lands at the centre of a portrait of how humans are connected to nature  

24/02/2022 | Berlinale 2022 | Forum

(The article continues below - Commercial information)

Privacy Policy