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David Katz

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461 articles available in total starting from 11/07/2018. Last article published on 22/10/2025.

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Laura Citarella • Director of Trenque Lauquen

Interview: Laura Citarella • Director of Trenque Lauquen

“I think that maybe there is not just one reference I used; there is a whole map of books”

VENICE 2022: We spoke to the rising Argentinian filmmaker about her new four-hour-and-ten-minute work, which follows an amateur sleuth’s investigation into a brace of arcane mysteries  

14/09/2022 | Venice 2022 | Orizzonti

Review: The Damned Don’t Cry

Review: The Damned Don’t Cry

VENICE 2022: Fyzal Boulifa’s beautifully made second feature charts the divergent fortunes of a mother and her late-adolescent son in Morocco, who are forced into itinerant, unstable work  

14/09/2022 | Venice 2022 | Giornate degli Autori

Lav Diaz • Director of When the Waves Are Gone

Interview: Lav Diaz • Director of When the Waves Are Gone

“I consider my kind of filmmaking like writing a novel: I create real characters, the characters are fleshed out, and we see them living in the film”

VENICE 2022: We spoke to the Filipino auteur – famous for his epic-length works – about his long-awaited new feature, a revenge story set amidst the country’s narco-wars  

13/09/2022 | Venice 2022 | Out of Competition

Review: Love Life

Review: Love Life

VENICE 2022: Rising Japanese maestro Kôji Fukada steps up to his first major festival competition slot with this neatly structured tale of intersecting marriages  

07/09/2022 | Venice 2022 | Competition

Tahmina Rafaella • Director of Banu

Interview: Tahmina Rafaella • Director of Banu

“A complete storyline is something that we underestimate”

VENICE 2022: We chatted to the promising Azerbaijani director, whose debut feature follows a mother struggling to gain custody of her son in a patriarchal and sexist country  

06/09/2022 | Venice 2022 | Biennale College Cinema

Review: When the Waves Are Gone

Review: When the Waves Are Gone

VENICE 2022: Filipino great Lav Diaz makes another gruelling revenge tragedy, this time focusing on two dirty cops with a grudge  

06/09/2022 | Venice 2022 | Out of Competition

Review: Autobiography

Review: Autobiography

VENICE 2022: Echoes of Indonesia’s 31-year dictatorship abound in the present, in debutant Makbul Mubarak’s sombre political drama  

04/09/2022 | Venice 2022 | Orizzonti

The BFI London Film Festival reveals its full line-up

The BFI London Film Festival reveals its full line-up

The primo UK film gathering has unveiled a starry array of gala screenings, with its full programme comprising 164 features and 23 world premieres  

02/09/2022 | London 2022

Review: The Origin of Evil

Review: The Origin of Evil

VENICE 2022: In Sébastien Marnier’s rococo suspense piece, Laure Calamy seeks to join a family of French Trumps  

01/09/2022 | Venice 2022 | Orizzonti Extra

Marysia Nikitiuk • Director of Cherry Blossoms

Interview: Marysia Nikitiuk • Director of Cherry Blossoms

“CineLink, the Sarajevo Film Festival and the Eurimages Award have given me the hope and strength to continue making films”

We spoke to the winner of the Eurimages Special Co-production Development Award about her film, which follows the meeting of survivors from the Ukraine-Russia War and the Bosnian War  

29/08/2022 | Sarajevo 2022 | CineLink Industry Days

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