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Marta Balaga

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1113 articles available in total starting from 07/04/2017. Last article published on 29/09/2025.

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Review: Driving Mum

Review: Driving Mum

Hilmar Oddsson’s comeback film feels rusty, just like his protagonist’s clapped-out car. But every once in a while, it actually runs smoothly  

24/11/2022 | Black Nights 2022 | Competition

Jon Bang Carlsen • Director of Dreaming Arizona

Interview: Jon Bang Carlsen • Director of Dreaming Arizona

“The beautiful thing about ‘the real world’ is that it gives you resistance”

According to the Danish director, there is no reality, so feel free to come up with your own interpretation  

22/11/2022 | IDFA 2022

Review: Apolonia, Apolonia

Review: Apolonia, Apolonia

In her fascinating IDFA winner, Lea Glob starts off with one portrait of an artist and ends up with two  

21/11/2022 | IDFA 2022

IDFA crowns Apolonia, Apolonia as its champion

IDFA crowns Apolonia, Apolonia as its champion

Lea Glob’s touching portrayal of a young artist, a movie “infused with love”, has won Best Film in the International Competition, with Angie Vinchito’s Manifesto also noticed  

21/11/2022 | IDFA 2022 | Awards

Review: Kaymak

Review: Kaymak

Social satire meets sex comedy – and a whole lot of dairy – in Milcho Manchevski’s confusing latest  

08/11/2022 | Tokyo 2022

Marjorie Bendeck • Director, Connecting Cottbus

Interview: Marjorie Bendeck • Director, Connecting Cottbus

“That’s what we want to address: how the hell do you fund arthouse films nowadays?”

The head of coco opens up about this year’s edition of the co-production market that focuses primarily on Eastern European cinema  

08/11/2022 | Cottbus 2022 | Connecting Cottbus

Review: Greater Gospel

Review: Greater Gospel

Javier Codesal’s winner of the Ji.hlava Award for Original Approach combines the spiritual with the carnal  

02/11/2022 | Jihlava 2022

Review: The Visitors

Review: The Visitors

Veronika Lišková heads to the end of the Earth, only to realise that problems – and people – are always the same  

02/11/2022 | Jihlava 2022

Review: Polaris

Review: Polaris

Leave it to Spanish director Ainara Vera to combine a strong sisterly bond and the Arctic, and for it to actually make perfect sense  

25/10/2022 | Mirage 2022

Review: Inner Lines

Review: Inner Lines

In Pierre-Yves Vandeweerd’s film, the sound of silence meets a deafening cacophony of voices  

25/10/2022 | Mirage 2022

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