email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Fabien Lemercier


9759 articles available in total starting from 02/07/2002. Last article published on 12/09/2025.

Review: Shéhérazade

Review: Shéhérazade

CANNES 2018: An ultra-realist portrait of juvenile delinquency in Marseille, and a surprising and engaging love story to boot, courtesy of Jean-Bernard Marlin  

12/05/2018 | Cannes 2018 | Critics’ Week

Review: My Favourite Fabric

Review: My Favourite Fabric

CANNES 2018: With her strange and allegorical first full-length film, Gaya Jiji’s angle is an interesting one from which to explore the condition of women and the Syrian War  

12/05/2018 | Cannes 2018 | Un Certain Regard

Review: Treat Me Like Fire

Review: Treat Me Like Fire

CANNES 2018: Marie Monge’s feature debut punchily portrays the toxic downward spiral that starts when a young woman falls head over heels for a gambling addict  

11/05/2018 | Cannes 2018 | Directors’ Fortnight

Review: Sorry Angel

Review: Sorry Angel

CANNES 2018: Christophe Honoré indulges in a film of great richness and scope, intermingling drama and distance, romantic love and physical passion  

11/05/2018 | Cannes 2018 | Competition

Review: Border

Review: Border

CANNES 2018: Danish director Ali Abbasi plays with realism and fantasy in a fascinating film with a somewhat grotesque ending  

10/05/2018 | Cannes 2018 | Un Certain Regard

Antoine Desrosières • Director

Interview: Antoine Desrosières • Director

"A film about consent and the different ways to interpret it"

CANNES 2018: Antoine Desrosières talks to Cineuropa about Sextape, a radical comedy about youth and sexuality, screened in the Un Certain Regard section  

10/05/2018 | Cannes 2018 | Un Certain Regard

Review: Sextape

Review: Sextape

CANNES 2018: Antoine Desrosières’ radical comedy focuses on the youth of working-class neighbourhoods and the sexual violence of men against women  

10/05/2018 | Cannes 2018 | Un Certain Regard

Review: To The Ends of The World

Review: To The Ends of The World

CANNES 2018: Guillaume Nicloux dives headlong into the Indochinese jungle of 1945 with a hypnotic war film, exploring the internal struggle between life and death  

10/05/2018 | Cannes 2018 | Directors' Fortnight

Camille Vidal-Naquet • Director

Interview: Camille Vidal-Naquet • Director

"An outsider who’s a law unto himself, rejected, neglected and looking for love"

CANNES 2018 : French filmmaker Camille Vidal-Naquet chatted with us about his first full-length film, Sauvage, unveiled in competition during Critics’ Week in Cannes  

10/05/2018 | Cannes 2018 | Critics’ Week

Review: Sauvage

Review: Sauvage

CANNES 2018: Camille Vidal-Naquet immerses us in a world of male prostitution where brutality, freedom of choice and the search for love endlessly collide. This is a film which takes no prisoners  

10/05/2018 | Cannes 2018 | Critics’ Week

Privacy Policy