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fabien lemercier

9769 articles available in total starting from 02/07/2002. Last article published on 24/09/2025.

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Review: The Harvesters

Review: The Harvesters

CANNES 2018: Family torments rage through ultra-religious, Afrikaner territory in the first full-length film by Etienne Kallos, an atmospheric and rugged work set on unforgivingly rural ground  

15/05/2018 | Cannes 2018 | Un Certain Regard

Review: Sir

Review: Sir

CANNES 2018: A refreshing film on impossible love between castes, and the first full-length fictional narrative from Indian director Rohena Gera, co-produced with France  

14/05/2018 | Cannes 2018 | Critics’ Week

Review: Sink or Swim

Review: Sink or Swim

CANNES 2018: Gilles Lellouche presents a funny, effective and marvellously-acted film about a ragtag bunch of life’s losers who form an unlikely team of male synchronised swimmers  

14/05/2018 | Cannes 2018 | Out of Competition

Pawel Pawlikowski • Director

Q&A: Pawel Pawlikowski • Director

"I wanted the film to be visually striking"

CANNES 2018: Oscar-winning Polish filmmaker Pawel Pawlikowski talks about his new film, the splendid Cold War, which was unveiled in competition  

14/05/2018 | Cannes 2018 | Competition

Christophe Honoré • Director of Sorry Angel

Q&A: Christophe Honoré • Director of Sorry Angel

"A form of photography which reflects the years of my youth"

CANNES 2018: French filmmaker Christophe Honoré talked to the press about his new film, Sorry Angel  

13/05/2018 | Cannes 2018 | Competition

Review: Girls of the Sun

Review: Girls of the Sun

CANNES 2018: In her treatment of the subject of female Kurdish fighters, Eva Husson succeeds in communicating a strong message, but unfortunately fails to convey the finer points  

13/05/2018 | Cannes 2018 | Competition

Review: The Image Book

Review: The Image Book

CANNES 2018: A master in the art of counterpoint and the subliminal communication of thought, Jean-Luc Godard presents a film that is fascinating, full-to-bursting, and which steps outside of the norm  

12/05/2018 | Cannes 2018 | Competition

Review: Woman at War

Review: Woman at War

CANNES 2018: Icelandic director Benedikt Erlingsson proves his potential yet again with a joyful, inventive, energetic, environmental and feminist second feature film  

12/05/2018 | Cannes 2018 | Critics' Week

Guillaume Nicloux • Director

Interview: Guillaume Nicloux • Director

"What I’m interested in is research and experience"

CANNES 2018: Guillaume Nicloux explains his film To The Ends Of The World, diving headlong into the jungle of deepest Indochina, as unveiled in the 50th Directors’ Fortnight  

12/05/2018 | Cannes 2018 | Directors' Fortnight

Review: Ash Is Purest White

Review: Ash Is Purest White

CANNES 2018: Jia Zhang-ke embarks on a love story thwarted by the course of time; a film which is very often splendid, but which loses steam along the way  

12/05/2018 | Cannes 2018 | Competition

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