email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Aurore Engelen

(The article continues below - Commercial information)

1648 articles available in total starting from 19/03/2008. Last article published on 18/09/2026.

Rachel Lang • Director of Mata

Interview: Rachel Lang • Director of Mata

“I wanted to make a spy film with a female lead, exploring the profession in its most practical sense, far removed from the James Bond-style characters”

We sat down with the French filmmaker to discuss her third feature film, in which she returns to her signature style whilst venturing into new territory  

27/05 | /France/Belgium

Agnès Jaoui • Director of Crescendo

Interview: Agnès Jaoui • Director of Crescendo

“I wanted to create a dialogue between these worlds, which in real life sometimes struggle to communicate at all”

CANNES 2026: The director and actor looks back on her first film written without Jean-Pierre Bacri, in which she imagines an opera production disrupted by an allegation of sexual assault  

27/05 | Cannes 2026 | Out of Competition

Review: Mata

Review: Mata

With her third feature film, Rachel Lang shifts her arthouse cinema towards the spy thriller genre, exploring the inner workings and shadowy corners of the intelligence world  

26/05 | Films | Reviews | France/Belgium

Review: Crescendo

Review: Crescendo

CANNES 2026: Agnès Jaoui immerses the preparations for an opera in the turmoil of the questions that have been sweeping through society since the #MeToo movement  

23/05 | Cannes 2026 | Out of Competition

Rakan Mayasi • Director of Yesterday the Eye Didn’t Sleep

Interview: Rakan Mayasi • Director of Yesterday the Eye Didn’t Sleep

“I didn’t want my actors to act; I wanted them to simply be themselves”

CANNES 2026: The director talks to us about his film, which draws on the documentary-style realism of its characters, about two sisters fighting against their fate in Lebanon  

22/05 | Cannes 2026 | Un Certain Regard

Review: Coward

Review: Coward

CANNES 2026: In his third feature, Lukas Dhont crafts a deeply moving love story set on the battlefield, driven by the urgency of war and the intensity of human emotion  

22/05 | Cannes 2026 | Competition

Emmanuel Marre • Director of A Man of His Time

Interview: Emmanuel Marre • Director of A Man of His Time

"I wanted to capture the faces behind the major historical figures, the people in the background"

CANNES 2026: The filmmaker talks to us about his second feature film, a story on the French Collaboration, directly inspired by his great-grandfather’s own experiences  

21/05 | Cannes 2026 | Competition

Review: De Gaulle: Résistance

Review: De Gaulle: Résistance

CANNES 2026: With his first instalment of a two-part opus, Antonin Baudry tries his hand at an epic tale which borrows as heavily from picaresque novel codes as from superhero films  

21/05 | Cannes 2026 | Out of Competition

Review: Yesterday the Eye Didn’t Sleep

Review: Yesterday the Eye Didn’t Sleep

CANNES 2026: In his debut feature film, Rakan Mayasi presents a visually stunning tale with tragic undertones, following the journeys of women striving to defy their fate  

21/05 | Cannes 2026 | Un Certain Regard

Review: A Man of His Time

Review: A Man of His Time

CANNES 2026: Emmanuel Marre delivers a historical film set in the present day, depicting a Vichy official who dreams big, turning his camera on the flip side of the grand narrative of history  

20/05 | Cannes 2026 | Competition

(The article continues below - Commercial information)

Privacy Policy