Jan Lumholdt (The article continues below - Commercial information) 332 articles available in total starting from 15/03/2018. Last article published on 17/11/2025. previous page: 1 2 [3] 4 5 6 7 8 ... 32 33 34 next Review: Broken EnglishVENICE 2025: Iain Forsyth and Jane Pollard have masterminded an embellished portrait of, and by, the late Marianne Faithfull 30/08 | Venice 2025 | Out of competitionInterview: Tereza Nvotová • Director of Father“What got me intrigued, even obsessed, was that moment when everything turns and you’re dropped into a parallel universe”VENICE 2025: The Slovak director takes on a macabre subject, following a decent man and father into a spiral of horror, after a memory lapse changes his and others’ lives 29/08 | Venice 2025 | OrizzontiReview: La GraziaVENICE 2025: Politics and existentialism are lent exquisite, low-key Italian beauty in Paolo Sorrentino’s new film, starring his regular Toni Servillo 28/08 | Venice 2025 | CompetitionInterview: Lisa Langseth • Director of The Dance Club“During my research, I went from being interested to shocked to angry”The Swedish director takes on the topic of mental health and, in particular, the whole industry surrounding it 22/08 | Haugesund 2025Review: The Dance ClubThe psychotherapy industry gets a feel-good boost in Lisa Langseth’s comedy-drama flick, but not without some scathing criticism in tow 21/08 | Haugesund 2025Interview: Joachim Trier • Director of Sentimental Value“I’m 50 and have two small kids, and the world is in turmoil and unrest – it just feels like we’re ready for some tenderness”CANNES 2025: The Norwegian director discusses his latest film and the fact he has reached a “lucky” point in his career 05/06 | Cannes 2025 | CompetitionInterview: Simón Mesa Soto • Director of A Poet“This film shows the worst version of myself in 20 years’ time”CANNES 2025: The Colombian director delves into the artistic vocation and its inherent misfortunes 24/05 | Cannes 2025 | Un Certain RegardInterview: Hlynur Pálmason • Director of The Love That Remains“There’s a lot of beauty, and you really need to take care of it – it’s so easy to take things for granted”CANNES 2025: The Icelandic director talks about his, in a way, very strange creative process 23/05 | Cannes 2025 | Cannes PremièreReview: The Love That RemainsCANNES 2025: Icelandic director Hlynur Pálmason’s new film proves he can invite you into his home and pull the rug from right under your feet 22/05 | Cannes 2025 | Cannes PremièreInterview: Stéphane Demoustier • Director of The Great Arch“He’s a mystery, very well-suited for a piece of cinema, I immediately thought”CANNES 2025: The French director talks about creating a monument to the unknown Danish creator of Paris’ Great Arch of la Défense 21/05 | Cannes 2025 | Un Certain Regard previous page: 1 2 [3] 4 5 6 7 8 ... 32 33 34 next (The article continues below - Commercial information)