email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Jan Lumholdt

(The article continues below - Commercial information)

332 articles available in total starting from 15/03/2018. Last article published on 17/11/2025.

Review: Broken English

Review: Broken English

VENICE 2025: Iain Forsyth and Jane Pollard have masterminded an embellished portrait of, and by, the late Marianne Faithfull  

30/08 | Venice 2025 | Out of competition

Tereza Nvotová • Director of Father

Interview: Tereza Nvotová • Director of Father

“What got me intrigued, even obsessed, was that moment when everything turns and you’re dropped into a parallel universe”

VENICE 2025: The Slovak director takes on a macabre subject, following a decent man and father into a spiral of horror, after a memory lapse changes his and others’ lives  

29/08 | Venice 2025 | Orizzonti

Review: La Grazia

Review: La Grazia

VENICE 2025: Politics and existentialism are lent exquisite, low-key Italian beauty in Paolo Sorrentino’s new film, starring his regular Toni Servillo  

28/08 | Venice 2025 | Competition

Lisa Langseth • Director of The Dance Club

Interview: Lisa Langseth • Director of The Dance Club

“During my research, I went from being interested to shocked to angry”

The Swedish director takes on the topic of mental health and, in particular, the whole industry surrounding it  

22/08 | Haugesund 2025

Review: The Dance Club

Review: The Dance Club

The psychotherapy industry gets a feel-good boost in Lisa Langseth’s comedy-drama flick, but not without some scathing criticism in tow  

21/08 | Haugesund 2025

Joachim Trier • Director of Sentimental Value

Interview: Joachim Trier • Director of Sentimental Value

“I’m 50 and have two small kids, and the world is in turmoil and unrest – it just feels like we’re ready for some tenderness”

CANNES 2025: The Norwegian director discusses his latest film and the fact he has reached a “lucky” point in his career  

05/06 | Cannes 2025 | Competition

Simón Mesa Soto • Director of A Poet

Interview: Simón Mesa Soto • Director of A Poet

“This film shows the worst version of myself in 20 years’ time”

CANNES 2025: The Colombian director delves into the artistic vocation and its inherent misfortunes  

24/05 | Cannes 2025 | Un Certain Regard

Hlynur Pálmason • Director of The Love That Remains

Interview: Hlynur Pálmason • Director of The Love That Remains

“There’s a lot of beauty, and you really need to take care of it – it’s so easy to take things for granted”

CANNES 2025: The Icelandic director talks about his, in a way, very strange creative process  

23/05 | Cannes 2025 | Cannes Première

Review: The Love That Remains

Review: The Love That Remains

CANNES 2025: Icelandic director Hlynur Pálmason’s new film proves he can invite you into his home and pull the rug from right under your feet  

22/05 | Cannes 2025 | Cannes Première

Stéphane Demoustier • Director of The Great Arch

Interview: Stéphane Demoustier • Director of The Great Arch

“He’s a mystery, very well-suited for a piece of cinema, I immediately thought”

CANNES 2025: The French director talks about creating a monument to the unknown Danish creator of Paris’ Great Arch of la Défense  

21/05 | Cannes 2025 | Un Certain Regard

(The article continues below - Commercial information)

Privacy Policy