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Marta Bałaga

1100 articles available in total starting from 07/04/2017. Last article published on 19/06/2025.

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Review: Stars at Noon

Review: Stars at Noon

CANNES 2022: Claire Denis’ latest offering makes little sense, and in a way, it’s all the better for it  

26/05/2022 | Cannes 2022 | Competition

Elena López Riera • Director of El agua

Interview: Elena López Riera • Director of El agua

“In every society, people need some kind of magic”

CANNES 2022: We sat down with the Spanish director to chat about her feature debut, with childhood tales still ringing in her ears  

26/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: Sick of Myself

Review: Sick of Myself

CANNES 2022: Kristoffer Borgli’s unforgettable film, one of the festival’s best, is deliciously infuriating  

24/05/2022 | Cannes 2022 | Un Certain Regard

Review: Little Nicholas – Happy as Can Be

Review: Little Nicholas – Happy as Can Be

CANNES 2022: Benjamin Massoubre and Amandine Fredon have put together a delightful, nostalgia-tinged treat that’s probably more fun for parents than for their kids  

23/05/2022 | Cannes 2022 | Special Screenings

Review: Holy Spider

Review: Holy Spider

CANNES 2022: Ali Abbasi, the crazed Iranian-born genius behind the Un Certain Regard winner Border, delivers another masterful work, this time in the main competition  

22/05/2022 | Cannes 2022 | Competition

Review: Everybody Loves Jeanne

Review: Everybody Loves Jeanne

CANNES 2022: Blanche Gardin is a force to be reckoned with in Céline Devaux's tale about a woman who didn’t want much in life – she just wanted to save the world  

22/05/2022 | Cannes 2022 | Critics’ Week

Review: EO

Review: EO

CANNES 2022: Poland’s Jerzy Skolimowski proves that donkeys do have layers in this trippy, engaging offering inspired by Bresson  

20/05/2022 | Cannes 2022 | Competition

Review: The Woodcutter Story

Review: The Woodcutter Story

CANNES 2022: It’s a bad day to be good in Mikko Myllylahti’s haunting, cruel Finnish fairy tale  

19/05/2022 | Cannes 2022 | Critics’ Week

REinvent International Sales is ready to scare Cannes senseless with Dark Windows

REinvent International Sales is ready to scare Cannes senseless with Dark Windows

The Copenhagen-based company is bringing a varied selection of projects to France, from horror movies to Erik Poppe’s The Emigrants  

18/05/2022 | Cannes 2022 | Marché du Film

Review: Il Posto – A Steady Job

Review: Il Posto – A Steady Job

Mattia Colombo and Gianluca Matarrese’s documentary is a tiny film about a tiny dream, homing in on Italian nurses in search of stable employment  

13/05/2022 | Hot Docs 2022

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