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Teresa Vena

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473 articles available in total starting from 09/04/2018. Last article published on 30/01/2026.

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Ursula Meier • Director of The Line

Interview: Ursula Meier • Director of The Line

“Usually in cinema, violence is shown through male protagonists, and when there are women, they’re mostly teenagers”

BERLINALE 2022: The French-Swiss director’s tragicomedy deals with the representation of female violence, casting aside the usual stereotypes  

18/02/2022 | Berlinale 2022 | Competition

Francesco Costabile • Director of Una femmina – The Code of Silence

Interview: Francesco Costabile • Director of Una femmina – The Code of Silence

“Real film experiences can only take place in cinemas, with the lights out”

BERLINALE 2022: The Calabrian director presents a film about women who rebel against the mafia’s archaic structures  

17/02/2022 | Berlinale 2022 | Panorama

Cem Kaya • Director of Love, Deutschmarks and Death

Interview: Cem Kaya • Director of Love, Deutschmarks and Death

“All generations of artists comment on their life in Germany”

BERLINALE 2022: The Panorama-screened documentary shows how closely connected the history of Turkish music is to that of Turkish immigration in Germany  

17/02/2022 | Berlinale 2022 | Panorama

Laurent Larivière • Director of About Joan

Interview: Laurent Larivière • Director of About Joan

“It was also a way to directly achieve a certain intimacy and to commit to a pact of trust”

BERLINALE 2022: Isabelle Huppert and Lars Eidinger star in this intriguing drama about loss and the power of love  

16/02/2022 | Berlinale 2022 | Berlinale Special

Jöns Jönsson • Director of Axiom

Interview: Jöns Jönsson • Director of Axiom

“I guess we shouldn't underestimate how much we adapt to our environment”

BERLINALE 2022: The German-based Swedish director presents a very ambiguous, but also very human, protagonist in his new feature  

16/02/2022 | Berlinale 2022 | Encounters

Cyril Schäublin • Director of Unrest

Interview: Cyril Schäublin • Director of Unrest

“By putting the people and the language to the margins of the frame, maybe the construction of those re-enacted situations becomes more visible”

BERLINALE 2022: The Swiss director's film is a trip back to the 19th century where the anarchist movement found fertile ground in Switzerland  

15/02/2022 | Berlinale 2022 | Encounters

Max Linz • Director of L'état et moi

Interview: Max Linz • Director of L'état et moi

“I wanted a character that would leave me room for fiction”

BERLINALE 2022: German actress Sophie Rois stars in a double role in her fellow countryman’s intriguing new feature  

15/02/2022 | Berlinale 2022 | Forum

Chiara Bellosi • Director of Swing Ride

Interview: Chiara Bellosi • Director of Swing Ride

“We meet a lot of people, we have irreplaceable individuals around us, but we’re always on our own when faced with real choices”

BERLINALE 2022: The Italian director’s film follows a young female protagonist who meets a new friend who helps her to grow  

14/02/2022 | Berlinale 2022 | Panorama

German Films launches its seventh Face to Face campaign

German Films launches its seventh Face to Face campaign

With its seventh edition of the campaign, German Films promotes seven film creatives who represent different sections of the filmmaking industry  

14/02/2022 | Industry | Market | Germany

Isabelle Stever • Director of Grand Jeté

Interview: Isabelle Stever • Director of Grand Jeté

“Because of the funds’ rejections, it seemed all the more interesting to me to tell the story”

BERLINALE 2022: The German director takes a considerable risk as she tells this story of the unusual love between a mother and son  

12/02/2022 | Berlinale 2022 | Panorama

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