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Vladan Petković


1755 articles available in total starting from 06/03/2008. Last article published on 03/09/2025.

Series review: The Last Socialist Artefact

Series review: The Last Socialist Artefact

The atypical TV show directed by Croatia's Dalibor Matanić elicits a warm feeling of hope from a timely topic, and features high production values and first-class performances  

09/03/2022 | Series | Reviews | Serbia/Croatia/Slovenia/Finland

Review: Darkling

Review: Darkling

Serbian director Dušan Milić's psychological drama-horror set in post-war Kosovo builds a convincing world and tells an engaging story, but lacks a decisive finishing touch  

07/03/2022 | Belgrade FEST 2022

Justin Kurzel's Nitram triumphs at Belgrade FEST

Justin Kurzel's Nitram triumphs at Belgrade FEST

Other winners include House Arrest, The Accusation, Sisterhood, The Staffroom, The World After Us, As Far as I Can Walk, Darkling and Heroes  

07/03/2022 | Belgrade FEST 2022 | Awards

Janez Burger starts filming thriller Observing

Janez Burger starts filming thriller Observing

For his sixth feature, the Slovenian director is re-teaming with writer Srdjan Koljević, cinematographer Marko Brdar, and production companies Staragara and Propeler Film  

04/03/2022 | Production | Funding | Slovenia/Croatia/Italy/North Macedonia

Radivoje Andrić has a new hit on his hands with How I Learned to Fly

Radivoje Andrić has a new hit on his hands with How I Learned to Fly

The family film told from a young girl's perspective comes from one of Serbia's most popular hitmakers and has topped the local box office  

25/02/2022 | Box Office | Serbia

Miloš Pušić • Director of Working Class Heroes

Interview: Miloš Pušić • Director of Working Class Heroes

"I wanted to give it the feel of a punk song"

BERLINALE 2022: The director discusses his film, which mixes genres and actors and non-professionals to tell the story of the mafia-like aspect of the construction business in Serbia  

23/02/2022 | Berlinale 2022 | Panorama

Sara Kern • Director of Moja Vesna

Interview: Sara Kern • Director of Moja Vesna

"I'm always trying to write about what's most alive in me"

BERLINALE 2022: The Slovenian-Australian director's first feature film deals with grief from the perspective of a ten-year-old girl  

23/02/2022 | Berlinale 2022 | Generation

Review: No U-Turn

Review: No U-Turn

BERLINALE 2022: Nollywood director Ike Nnaebue's accomplished Berlinale Documentary Award Special Mention-winning film tells a strong story but has a confusing attitude  

22/02/2022 | Berlinale 2022 | Panorama

Review: The City and the City

Review: The City and the City

BERLINALE 2022: Syllas Tsoumerkas' and Christos Passalis' film is a stylistically eclectic mix of documentary, fiction and essay, telling the story of the exterminations of Jews in Thessaloniki  

18/02/2022 | Berlinale 2022 | Encounters

Review: Working Class Heroes

Review: Working Class Heroes

BERLINALE 2022: Miloš Pušić delivers an angry, punk statement with a social drama-cum-dark comedy-thriller that taps into the poetics of Želimir Žilnik but is its own, uncompromising beast  

17/02/2022 | Berlinale 2022 | Panorama

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