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9875 articles available in total starting from 02/07/2002. Last article published on 20/01/2026.

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Christophe Honoré • Director of Sorry Angel

Q&A: Christophe Honoré • Director of Sorry Angel

"A form of photography which reflects the years of my youth"

CANNES 2018: French filmmaker Christophe Honoré talked to the press about his new film, Sorry Angel  

13/05/2018 | Cannes 2018 | Competition

Review: Girls of the Sun

Review: Girls of the Sun

CANNES 2018: In her treatment of the subject of female Kurdish fighters, Eva Husson succeeds in communicating a strong message, but unfortunately fails to convey the finer points  

13/05/2018 | Cannes 2018 | Competition

Review: The Image Book

Review: The Image Book

CANNES 2018: A master in the art of counterpoint and the subliminal communication of thought, Jean-Luc Godard presents a film that is fascinating, full-to-bursting, and which steps outside of the norm  

12/05/2018 | Cannes 2018 | Competition

Review: Woman at War

Review: Woman at War

CANNES 2018: Icelandic director Benedikt Erlingsson proves his potential yet again with a joyful, inventive, energetic, environmental and feminist second feature film  

12/05/2018 | Cannes 2018 | Critics' Week

Guillaume Nicloux • Director

Interview: Guillaume Nicloux • Director

"What I’m interested in is research and experience"

CANNES 2018: Guillaume Nicloux explains his film To The Ends Of The World, diving headlong into the jungle of deepest Indochina, as unveiled in the 50th Directors’ Fortnight  

12/05/2018 | Cannes 2018 | Directors' Fortnight

Review: Ash Is Purest White

Review: Ash Is Purest White

CANNES 2018: Jia Zhang-ke embarks on a love story thwarted by the course of time; a film which is very often splendid, but which loses steam along the way  

12/05/2018 | Cannes 2018 | Competition

Review: Shéhérazade

Review: Shéhérazade

CANNES 2018: An ultra-realist portrait of juvenile delinquency in Marseille, and a surprising and engaging love story to boot, courtesy of Jean-Bernard Marlin  

12/05/2018 | Cannes 2018 | Critics’ Week

Review: My Favourite Fabric

Review: My Favourite Fabric

CANNES 2018: With her strange and allegorical first full-length film, Gaya Jiji’s angle is an interesting one from which to explore the condition of women and the Syrian War  

12/05/2018 | Cannes 2018 | Un Certain Regard

Review: Treat Me Like Fire

Review: Treat Me Like Fire

CANNES 2018: Marie Monge’s feature debut punchily portrays the toxic downward spiral that starts when a young woman falls head over heels for a gambling addict  

11/05/2018 | Cannes 2018 | Directors’ Fortnight

Review: Sorry Angel

Review: Sorry Angel

CANNES 2018: Christophe Honoré indulges in a film of great richness and scope, intermingling drama and distance, romantic love and physical passion  

11/05/2018 | Cannes 2018 | Competition

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